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<title>1995 Film Press</title>
<description>By L. Pardue
</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13205</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13205</link>
<title>Barnes, Harper.  'Outing' the Movies: Gay and Lesbian Films Are On the Rise. St. Louis Post. 31 July, 1995: 3C.</title>
<description>  &lt;p&gt;Barnes writes about the increase in films dealing with homosexuality.&amp;nbsp; &lt;u&gt;Philadelphia&lt;/u&gt; is an example of the upsurge in major gay and lesbian characters in film; meanwhile mainstream culture experiences a new acceptance of homosexuality as well as a sharp backlash against it.&amp;nbsp; By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13130</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13130</link>
<title>Cass, Julia. Riot Act, There's Action at Holmesburg Prison as Hollywood Visits to Prepare for a Riot Scene in a Movie Starring Michelle Pfieffer and Robert Redford.  Philadelphia Inquirer 9 Apr. 1995: M01</title>
<description> &lt;p&gt;Holmesburg Prison is considered outdated by Philadelphians, but according to film advisor Bob Vazquez, it is deal for prison scenes in movies.&amp;nbsp; Holmesburg Prison as well as East State Penitentiary are big draws for movie-makers to film such scenes in Philadelphia.&amp;nbsp; By L. Pardue&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13129</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13129</link>
<title>Cipriano, Ralph. The Synagogues of South Phila. A New Documentary Looks at a Piece of Local History. Philadelphia Inquirer. 30 March, 1995: B01</title>
<description>  &lt;p&gt;Cipriano interviews Van Blunk and Rosanio about their 15-minute documentary on six synagogues in south Philadelphia, only one of which was active at the time the film was shot.&amp;nbsp; The film examines the growth and decline of the Jewish population in south Philadelphia and the corresponding closures of synagogues and Jewish businesses. By L. Pardue&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13211</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13211</link>
<title>Goodnough, Abby. Toni Cade Bambara, a writer and documentary maker, 56. New York Times. 11 Dec. 1995, D10</title>
<description> &lt;p&gt;Toni Cade Bambara, a black female filmmaker, dies in Philadelphia.&amp;nbsp; She had taught screenwriting for 10 years at the SCRIBE Video Center, mentoring several black female filmmakers.&amp;nbsp;&amp;nbsp; She made several documentaries which frequently dealt with stereotypes of blacks and often wrote and gave presentations about film.&amp;nbsp; By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13208</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13208</link>
<title>Holden, Stephen. Grandpa: Old, Wise, and Al Pacino.  New York Times. 22 Nov. 1995: C18</title>
<description> &lt;p&gt;Holden enjoys &lt;u&gt;Two Bits&lt;/u&gt; but criticizes it for being too subdued and nostalgic of the good ol&amp;rsquo; days.&amp;nbsp; He writes that the film paints an overly wholesome picture of the Depression.&amp;nbsp; By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13132</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13132</link>
<title>Keating, Douglas J. Walk of Fame for Blacks in Films, Theater, and Television. Philadelphia Inquirer. 20 Apr. 1995: E01</title>
<description>  &lt;p&gt;A Walk of Fame for African-Americans in film, television, and theater is inaugurated outside of the Bushfire Theater for Performing Arts.&amp;nbsp; Director Lloyd Richards and actor John Amos make handprints in the sidewalk.&amp;nbsp; Deceased performers Paul Robeson, Ira Aldridge, and Dorothy Dandridge as well as theater technician William B. Dickerson will be honored with plaques placed on the pavement.&amp;nbsp; This event is the first Walk of Fame for blacks in the United States.&amp;nbsp; By L. Pardue&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/12956</guid>
<link>http://tags.library.upenn.edu/makerecord/url/12956</link>
<title>Klauber, Bruce H. Learned Film at Knee of Late Mo Wax.  Philadelphia Daily News. 2 Feb 1995: 26.</title>
<description>  &lt;p&gt;Mo Wax, who published &lt;u&gt;Film Bulletin&lt;/u&gt;, an independent film journal, and owned a local independent theater, died recently.&amp;nbsp; Klauber describes Wax as a mentor to local film journalists and filmmakers who supported independent filmmaking.&amp;nbsp; By L. Pardue &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13210</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13210</link>
<title>Klein, Julia M. Philly Wooed 'Money Train' in Infamous Firebombing Scene Could Have Been Filmed Here, If the City's Film Office Had Succeeded.  Many Cities Put Concerns for Cash Above Content.  Philadelphia Inquirer. 4 Dec. 1995: D05</title>
<description> &lt;p&gt;The Greater Philadelphia Film Office actively solicited the producers of &lt;u&gt;Money Train&lt;/u&gt; to film in Philadelphia, despite the controversial depiction of the firebombing of a New York tollbooth.&amp;nbsp; Executive director Sharon Pinkenson and her counterparts across the country explain that a film&amp;rsquo;s content is irrelevant in recruiting filmmakers to their cities.&amp;nbsp; By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13209</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13209</link>
<title>Rickey, Carrie.  And as Best Supporting Act, South Philly.  At Local Premiere of 'Two Bits,' the City Steals the Show.  Philadelphia Inquirer. 29 Nov. 1995: A01</title>
<description> &lt;p&gt;The premier of &lt;u&gt;Two Bits&lt;/u&gt; takes place in Philadelphia. &amp;nbsp;&lt;u&gt;Two Bits&lt;/u&gt; gives the city a positive image.&amp;nbsp; The film contributed approximately $2 million to the local economy.&amp;nbsp; By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13212</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13212</link>
<title>Rickey, Carrie. 'Monkey' Business Two Temple Film Students Were Chosen To Document the Making and Marketing of '12 Monkeys', Which Premiers Here Tonight.  They Have Their Work Cut Out For Them.  Philadelphia Inquirer. 13 Dec 1995: C01</title>
<description> &lt;p&gt;Temple film students Keith Fulton and Lou Pepe were asked by director Terry Gilliam to make a short documentary of the making of the film to be used for promotion.&amp;nbsp; They describe the difficulties in working on the set of a major film and compiling a 10 minute sample of their footage.&amp;nbsp; By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13126</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13126</link>
<title>Rickey, Carrie. Director Peers Into the Future from Phila. Philadelphia Inquirer 19 Feb 1995: N01</title>
<description>  &lt;p&gt;Rickey interviews the director and cast members of &lt;u&gt;12 Monkeys&lt;/u&gt; as filming begins.&amp;nbsp; Philadelphia was appealing as a filming site due to the combination of preservation and decay in its unique architecture.&amp;nbsp; By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13148</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13148</link>
<title>Rickey, Carrie. Film of Ideas Set in Phila.  Philadelphia Inquirer 7 July 1995: 05.</title>
<description> &lt;p&gt;Rickey approves of Martin&amp;rsquo;s use of Philadelphia landmarks and his new ideas in the representation of recent college graduates and their relationships.&amp;nbsp; By L. Pardue&lt;br /&gt;  &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13145</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13145</link>
<title>Rickey, Carrie. Lights Are about to Go Out on City's Last Movie Palace \ The Sale of Sameric 4 is 'Almost a Done Deal', Said an Official With United Artists.  Philadelphia Inquirer. 5 May 1995: B01</title>
<description>   &lt;p&gt;United Artists, the current owner of the Boyd Theater, AKA Sameric 4, are in the process of selling the theater to real estate investors despite efforts to preserve it as a historical structure.  By L. Pardue  &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13131</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13131</link>
<title>Rickey, Carrie. The Joint Was Jumpin: When Hollywood Met Holmesburg Stars, A Crew  Plus Inmates as Extras.  All Came Away With An Education.  Philadelphia Inquirer 16 Apr. 1995: L01</title>
<description> &lt;p&gt;Inmates at Holmesburg Prison were used as extras in filming a riot in &lt;u&gt;Up Close and Personal&lt;/u&gt;.&amp;nbsp; They reflect on new-found knowledge of film production and relate to Philadelphia native Glenn Plummer (who plays a supporting role in the film).&amp;nbsp; By L. Pardue&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13128</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13128</link>
<title>Rickey, Carrie. Twelve Monkeys Takes the Turnpike, Futuristic Film Leaves Town After Pumping Millions Into City's Economy.  Philadelphia Inquirer 27 Mar 1995: D01</title>
<description> &lt;p&gt;&lt;u&gt;12 Monkeys&lt;/u&gt; completes filming in Philadelphia after employing about 900 locals and pumping $12 million into the economy.&amp;nbsp; Sites used for filming included the Convention Center, Eastern State Penitentiary, Franklin Field, Memorial Hall, and the Richmond Power Station.&amp;nbsp; Many Philadelphians had hoped for sightings of stars Brad Pitt and Bruce Willis.&amp;nbsp; The filming of &lt;u&gt;12 Monkeys&lt;/u&gt; in Philadelphia is representative of a surge in Philadelphia movie-making that has attracted several well-known film professionals to the area.&amp;nbsp; By L. Pardue&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/12955</guid>
<link>http://tags.library.upenn.edu/makerecord/url/12955</link>
<title>Rothman, Clifford.  Philadelphia: Oscar Gives Way to Elegy.  New York Times. 1 Jan. 1995: 9</title>
<description>  &lt;p&gt;In &lt;u&gt;Philadelphia&lt;/u&gt; many of the extras had AIDS or were HIV-positive and were recruited from Action AIDS Philadelphia.&amp;nbsp; Since the film&amp;rsquo;s release, 43 out of these 53 extras have died.&amp;nbsp; Jonathan Demme purposely set out to use AIDS patients in the film, which caused some apprehension with other members of the crew.&amp;nbsp; By L. Pardue &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13204</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13204</link>
<title>Ryan, Desmond. Hispanic Tribute Tonight Starts Phila Film Festival. Philadelphia Inquirer. 19 July, 1995: E04</title>
<description> &lt;p&gt;The Philadelphia International Film Festival begins with a screening by Luis Bunuel and continuing with screenings of other films by Hispanic directors.&amp;nbsp; The emphasis of the festival shifts more towards feature films than shorts.&amp;nbsp; By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13206</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13206</link>
<title>Slobodzian, Joseph A. City Sued Over Bid to Preserve the Boyd, Sameric Said the Feuding Caused it to Sell the Theater at a Discount.  Now, it Wants Damages. Philadelphia Inquirer. 10 Nov. 1995: B02</title>
<description> &lt;p&gt;Sameric Corp., which sold the Boyd Theater in 1988, claims that the fight over the status of theater as a historical structure forced it to sell the building for less than fair market value.&amp;nbsp; Courts have upheld the law allowing the designation of buildings as historical structures but have rejected the Boyd Theater&amp;rsquo;s designation as such.&amp;nbsp; The new owners of the building intend to convert it into stores.&amp;nbsp; By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13146</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13146</link>
<title>Stark, Karl. Gospel Truth: Musical Greats Nationwide Have Sung the Praises of the Dixie Hummingbirds. Tonight, They'll Be Noticed in Their Hometown, Too, As a Film-Festival Documentary Tells Their Story. Philadelphia Inquirer. 9 May, 1995: 12</title>
<description> &lt;p&gt;The Dixie Hummingbirds are depicted in &lt;u&gt;We Love You Like a Rock&lt;/u&gt; as the preeminent gospel group.&amp;nbsp; The documentary includes interviews with Stevie Wonder, Paul Simmons, Bobby Womack, and other figures in the music industry praising the Dixie Hummingbirds for their influence on gospel music and African-American music.&amp;nbsp; The documentary is screened at the Philadelphia Festival of World Cinema.&amp;nbsp; By L. Pardue&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13149</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13149</link>
<title>Thompson, Gary. Local Boy Makes Good (Movie), Film Uses Philadelphia For More Than Just Scenery.  Philadelphia Daily News. 7 July 1995: 30.</title>
<description> &lt;p&gt;While Philadelphia has been the setting for several contemporary films, &lt;u&gt;Two Plus One&lt;/u&gt; gives a more personal perspective of the city.&amp;nbsp; Director Eugene Martin, a Philadelphia native, demonstrates a familiarity to the city that locals will appreciate.&amp;nbsp; By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13147</guid>
<link>http://tags.library.upenn.edu/makerecord/url/13147</link>
<title>Thompson, Gary. Robert Crumb, a Life on the Friz, Film Offers Detailed Look at Troubled Artist.  Philadelphia Daily News 9 June, 1995, 48.</title>
<description>   &lt;p&gt;This documentary harshly examines the life of a comic book illustrator from Philadelphia.&amp;nbsp; The film shows the way in which Crumb&amp;rsquo;s persona was developed through his childhood and family. By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/13127</guid>
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<title>Weiner, Jennifer. Movie Talk, the Draw of the Philadelphia Weekend Film Festival is the Appearance of a Director Who Mingles With Moviegoers.  Besides, It's a Chance to See and Be Seen.  Philadelphia Inquirer. 28 Feb. 1995. B01</title>
<description> &lt;p&gt;The ninth annual Philadelphia Weekend Film Festival features a presentation by director Alan Rudolph and screenings of both mainstream and alternative films.&amp;nbsp; Attendees welcome the festival as a space for discussion of film and as a social gala.&amp;nbsp; By L. Pardue&lt;br /&gt; &lt;/p&gt;</description>
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