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<title>I Am a Fugitive from a Chain Gang</title>
<description>     &lt;p class="MsoNormal"&gt;A plot-level reading of Mervyn LeRoy&amp;rsquo;s 1932 film I Am a Fugitive from a Chain Gang, which depicts Robert E. Burns&amp;rsquo;s autobiographical, dual existence as a falsely convicted prisoner and dubiously lionized entrepreneur, does not inspire faith in the integrity of the Southern chain gang penal system. In its promotional campaign, Warner Brothers &amp;ndash; Chain Gang&amp;rsquo;s production studio &amp;ndash; publicized H. L. Mencken&amp;rsquo;s condemnation of the chain gang: &amp;ldquo;simply a vicious, medieval custom&amp;hellip;and is so archaic and barbarous as to be a national disgrace&amp;rdquo; (Lichtenstein 16). Thus, Burns and Warner Brothers launched a national, progressive movement against Southern forced labor which resonated powerfully with a 1932 audience because it linked the chain gang's brutality to bleak realities of Great Depression America.&lt;br /&gt; &lt;br /&gt; Yet, viewing the film as Hollywood&amp;rsquo;s response to social and economic crises of this period invites skepticism regarding the industry&amp;rsquo;s motivations for advancing such radical arguments. In other words, why would it have been in the studio&amp;rsquo;s interest to align a potentially desperate viewer&amp;rsquo;s sympathies with the film&amp;rsquo;s subversive message? I will argue that Chain Gang functioned in a complex network of New Deal agitprop which facilitated Roosevelt&amp;rsquo;s intimate business relationship with Hollywood, most notably with Warner Brothers. If Depression desperation rendered tenuous the dominant industries&amp;rsquo; power, it would have protected Hollywood&amp;rsquo;s concerns to focus a frustrated viewer&amp;rsquo;s struggles specifically against the chain gangs which the film paints as &amp;ldquo;so archaic and barbarous as to be a national disgrace.&amp;rdquo; &lt;/p&gt;   &lt;p class="MsoNormal"&gt; &lt;/p&gt;</description>
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<title>I am a fugitive from a chain gang [videorecording] / Warner Bros. Pictures, Inc. &amp; the Vitaphone Corp. ; directed by Mervyn LeRoy ; screenplay by Howard J. Green and Brown Holmes.</title>
<description>&lt;p class="MsoNormal"&gt;A wonderful piece of Warner Brothers 1932 New Deal agitprop directed by Mervyn LeRoy and&amp;nbsp;released a week after Roosevelt's election to office. It depicts the life of James Allen / Allen James, a falsely convicted prisoner, ex-soldier, twice escaped chain gang fugitive who makes good, has a messy romantic life, and is plagued by the flagrant&amp;nbsp;injustice&amp;nbsp;of the&amp;nbsp;Southern chain gang penal system. Very exciting even though it gets its history wrong (see my bibliography on this film).&lt;/p&gt;</description>
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