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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/project/42618</guid>
<link>http://tags.library.upenn.edu/makerecord/project/42618</link>
<title>The Future of the Pirate Party</title>
<description>This project is about the future of the Pirate Party, whether their recent attainment of an EU Parliament seat launches them into a promising future or if their strength is simply the tenuous reaction of young file sharers to the Pirate Bay trial. I would also like to address the party's focus on the retention of privacy and what the party could be capable of should they prove a tenable force in influencing internet policy.</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/40912</guid>
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<title>The iPhone and the DMCA: Locking the Hands of Consumers</title>
<description>&lt;p&gt;Haubenrich, John.&amp;nbsp; "The iPhone and the DMCA: Locking the Hands of Consumers."&amp;nbsp; &lt;span style="text-decoration: underline;"&gt;Vanderbilt Law Review.&lt;/span&gt;&amp;nbsp; Vol. 61.5 (2008) 1507-1553.&lt;/p&gt;
&lt;p&gt;Haubenrich delves into the role that the Digital Millennium Copyright Act (DMCA) plays in the debate regarding the unlocking of iPhones and the resulting user experience.&amp;nbsp; The article first provides a background into the DMCA regulations and the effect that it has on the wireless phone industry.&amp;nbsp; It offers that, on one hand, iPhone users expect complete ownership of their devices as well as their choice of network.&amp;nbsp; However, wireless providers and product designers like Apple want to protect their copyright and maintain their successful business in the wireless industry.&amp;nbsp; The note comes out on the side of the consumer when it argues that the question of cell phone unlocking should not be addressed by copyright policy.&amp;nbsp; In conclusion, the author calls upon Congress and scholars to examine telecommunication law to resolve the rights relating to locks on mobile phones.&amp;nbsp; The argument is that without these barriers from wireless providers, there will be a better network, more innovation and more competition, which will benefit all mobile phone users.&lt;/p&gt;
&lt;p&gt;The DMCA is one of the most important pieces of copyright legislation and its implementation plays an important role in technology policy.&amp;nbsp; By acknowledging the iPhone locks are not an appropriate use of this policy, this legal expert urges consumers to have greater control over their wireless device.&amp;nbsp; Many iPhone applications are accessible only through the unlocking or jailbreaking of one's iPhone.&amp;nbsp; Because all apps need to be officially sanctioned by Apple to be in the app store, anything not sanctioned must be downloaded illegally.&amp;nbsp; For instance, the iPhone has a camera but no available video camera app.&amp;nbsp; By jailbreaking one's phone, a user can download this kind of app and proceed to use their phone for this new purpose.&amp;nbsp; This note relates to Wu's idea of the Wireless Carterfone because the separation of the iPhone from the DMCA regulations parallels Wu's frustration with network attachments.&lt;/p&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/url/35718</link>
<title>IO Group, Inc. v. Veoh Networks, Inc.</title>
<description>&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; IO is a company that holds and owns a number of registered copyrighted for a variety of adult entertainment products.&amp;nbsp; IO alleged that it found its own copyrighted clips from IO films on the Veoh website.&amp;nbsp; None of the alleged clips contained copyright notices except one.&amp;nbsp; Veoh is a site that relies on content contributed by users. Veoh is similar to a site like YouTube.&amp;nbsp; IO made the case that Veoh had to break protection codes to upload videos into the Flash format that the site uses.&amp;nbsp; By doing this, IO argued that Veoh became a direct infringer.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The judge determined that Veoh was still protected by the safe harbor provisions.&amp;nbsp; Veoh does not actively oversee the uploading of content.&amp;nbsp; Veoh has an established system where the software reformats user content automatically once uploaded.&amp;nbsp; The system makes the content accessible immediately to other users.&amp;nbsp; Veoh has default parameters for the submission of content by a third party.&amp;nbsp; The automated system is started with the Veoh user.&amp;nbsp; Everything is put into motion with the user.&amp;nbsp; Veoh does not preview videos before they are uploaded.&amp;nbsp; The uploading is due completely to the users.&amp;nbsp; The court gave a summary judgment for Veoh.&amp;nbsp; Based on the DMCA, the judge said that Veoh was in fact protected by the Safe Harbor Provision, and the site complied with the statutes.&amp;nbsp; &amp;nbsp;&lt;br /&gt;&lt;br /&gt;The key detail about this case is that IO did not send any takedown notices.&amp;nbsp; This is critical to my thesis that there is a severe violation and abuse of power.&amp;nbsp; IO did not even follow proper procedures.&amp;nbsp; There was no take down notice sent.&amp;nbsp; Instead, IO went straight to court.&amp;nbsp; The notice and take down course of action was completely skipped. &amp;nbsp;Instead of stopping piracy, the DMCA in this case ended up limited consumer choices for a period of time. &amp;nbsp;The videos were taken down and &amp;nbsp;content made unavailable.&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/36358</guid>
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<title>10 Years of the DMCA | Public Knowledge</title>
<description>&lt;p&gt;Rashmi Rangnath serves as a Staff Attorney at Public Knowledge.&amp;nbsp; Her topics of interest and expertise are in patent law and copyright.&amp;nbsp; She discusses where we are now after 10 years of the DMCA.&amp;nbsp; The two main provisions of the DMCA are the anti-circumvention measures and ISP (Internet Service Provider) liability provisions.&lt;br /&gt;&lt;br /&gt;The anti-circumvention provisions ban circumventing locks on digital material.&amp;nbsp; It also makes it illegal to market and/or sell technology that would help people get around the locks on digital content.&amp;nbsp;&amp;nbsp;&amp;nbsp; The ISP liability provisions give a &amp;ldquo;safe harbor&amp;rdquo; to ISPs as long as they fulfill certain requirements.&amp;nbsp; They must &amp;ldquo;maintain a policy of terminating the internet access of repeat infringers.&amp;rdquo;&lt;br /&gt;&lt;br /&gt;Rangnath points out that although the aim of the DMCA was make content available digitally while protecting the owners of this digital content.&amp;nbsp; It has actually had the opposite effect.&amp;nbsp; The effectiveness of preventing &amp;ldquo;piracy&amp;rdquo; is not questionable after 10 years of the DMCA.&amp;nbsp; Many of the fears that were being voiced by opponents to the DMCA, like museums and libraries, are now actualized. &amp;nbsp;Take down notices are being sent without just cause. &amp;nbsp;Fair use content is being removed unjustly. &amp;nbsp;With a lack of education about the DMCA, fair use is being violated. &amp;nbsp;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;The design of anti-circumvention has created more problems then it has solved.&amp;nbsp; Anti-circumvention provisions are applied blindly most of the time.&amp;nbsp; Take down notices are sent regardless of it something is fair use or not.&amp;nbsp; Rangnath cites RealNetworks vs. Streambox.&amp;nbsp; Basically the Streambox technology permitted people to record music and movies that were being streamed over the Internet.&lt;br /&gt;&lt;br /&gt;Rangath brings up a key point that I will discuss in my paper.&amp;nbsp; She says that &amp;ldquo;The provisions vest too much control in copyright owners over the design of devices.&amp;rdquo; After 10 years of the DMCA, it is apparent that there are certain abuses going on.&amp;nbsp; There is no system of checks and balances.&amp;nbsp; As a result, the rights of fair use are being violated.&lt;/p&gt;</description>
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<title>Stanford Copyright</title>
<description>&lt;p&gt;Fair use is a term that originated in the United States.&amp;nbsp; It allows limited use of material that is copyrighted.&amp;nbsp; With fair use, permission is not required depending with appropriate circumstances. Fair use is defined and regulated with a four-factor test.&amp;nbsp; Using this test, one can tell if it violates copyright. A work must satisfy all four factors to pass the test.&amp;nbsp; Fair use is a tricky subject because it really does vary in every case. &lt;br /&gt;&lt;br /&gt;The first factor says that a work is fair use depending on &amp;ldquo;the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes.&amp;rdquo;&lt;br /&gt;&lt;br /&gt;The second factor concerns, &amp;ldquo; The nature of the copyrighted work.&amp;rdquo;&lt;br /&gt;&lt;br /&gt;&amp;ldquo;The amount and substantiality of the potion used in relation,&amp;rdquo; is the third critical factor&lt;br /&gt;&lt;br /&gt;The final factor says that a work is fair use depending on &amp;ldquo; The effect of the use upon the potential market for or value of the copyrighted work.&amp;rdquo;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;IT would be ridiculous if you had to ask for permission everytime you were going to use a copyrighted work.&amp;nbsp; This is the purpose of fair use.&amp;nbsp; Fair use was created in tune with the goal of copyright: "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."&lt;br /&gt;&lt;br /&gt;This information lays the foundation for my paper.&amp;nbsp; It provides the background information for me.&amp;nbsp; My claim is that the DMCA violates fair use and copyright.&amp;nbsp; By outlining the purpose of copyright and the factors of fair use, I can then tell how DMCA violates.&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/34944</guid>
<link>http://tags.library.upenn.edu/makerecord/url/34944</link>
<title>Circumventing Competition: The Perverse Consequences of the Digital Millennium Copyright Act</title>
<description>&lt;p&gt;This paper discusses different perverse consequences of the DMCA.&amp;nbsp; Lee says that when Congress was trying to prepare for new digital technology, it made a mistake.&amp;nbsp; When the DMCA was passed, the courts were cut out of its role.&amp;nbsp; The universal band on technology and devices that &amp;ldquo;circumvent&amp;rdquo; digital rights management technologies (DRM) leave no role for the courts.&amp;nbsp; This lack of balance has created a system for consumers with limited options. The copyright owners now completely control things like Internet streaming and playback devices.&amp;nbsp; There is even evidence of certain firms utilizing the DMCA as a means of stopping research and reverse engineering. &amp;nbsp;&lt;br /&gt;&lt;br /&gt;The DMCA also eliminates competition.&amp;nbsp; The copyright owners and companies that issue their content have the power the lock out competitors.&amp;nbsp; Also, digital rights management technologies tend to be ineffective and do little to stop pirates.&amp;nbsp; Instead DRM technologies make it harder for people making fair use out of the copyrighted work.&lt;br /&gt;&lt;br /&gt;The paper says that there were in fact legal happenings in play before the DMCA enactment.&amp;nbsp; These legal processes were leading to a balanced body of law that would involve the courts.&amp;nbsp; Consumer choice, fair use, and competition would not be decreased as they are with the DMCA.&amp;nbsp; The budding body of law would give rights back to the people instead of depending on the technology design.&amp;nbsp; Really, without the DMCA we would be okay. &amp;nbsp;&lt;br /&gt;&lt;br /&gt;Lee says that people should not have to worry about coming out with a new technology and getting sued because it is illegal according to the DMCA.&amp;nbsp; That undermines the goals of copyright.&amp;nbsp; This is a key point of my paper.&amp;nbsp; This article is extremely helpful in arguing my case.&amp;nbsp; The effects of the DMCA decrease consumer rights and options.&amp;nbsp; It also stifles creativity.&amp;nbsp; No one wants to come up with new technology wondering if they&amp;rsquo;re going to get sued for it.&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/35721</guid>
<link>http://tags.library.upenn.edu/makerecord/url/35721</link>
<title>DMCA summary</title>
<description>&lt;p&gt;&lt;br /&gt;The DMCA is an amendment to title 17 (Copyright Act).&amp;nbsp; Bill Clinton signed it into law on October 28th, 1998.&amp;nbsp; The DMCA actually implemented treatises from the World Intellectual Property Treaty (WIPO).&amp;nbsp; The goal of the act was to give copyright owners protection with the oncoming digital advances.&amp;nbsp; It enforced the treatises in the international treaty.&lt;br /&gt;&lt;br /&gt;The DMCA is split up into five different titles.&amp;nbsp; They are&lt;br /&gt;&lt;br /&gt;Title Io</description></item></channel></rss>
