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<title>Social Text</title>
<description>&lt;div class="mlacite"&gt;Social Text&lt;br /&gt;-from EBSCO MegaFILE&lt;br /&gt;Holdings: Mar 1998-&lt;/div&gt;</description>
</item>
<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/ered/44237</guid>
<link>http://tags.library.upenn.edu/makerecord/ered/44237</link>
<title>PMLA</title>
<description>&lt;div class="mlacite"&gt;PMLA&lt;br /&gt;-from JSTOR&lt;br /&gt;continues Transactions and Proceedings of the Modern Language Association of America (1886-1887)&lt;br /&gt;Holdings: 1889-2001&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44236</link>
<title>PMLA</title>
<description>&lt;div class="mlacite"&gt;PMLA&lt;br /&gt;-from publisher website&lt;br /&gt;Holdings: 2002-&lt;/div&gt;</description>
</item>
<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/ered/44235</guid>
<link>http://tags.library.upenn.edu/makerecord/ered/44235</link>
<title>Journal of Modern Literature</title>
<description>&lt;div class="mlacite"&gt;Journal of Modern Literature&lt;br /&gt;-from Project Muse&lt;br /&gt;Holdings: 1998-&lt;/div&gt;</description>
</item>
<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/ered/44234</guid>
<link>http://tags.library.upenn.edu/makerecord/ered/44234</link>
<title>Representations</title>
<description>&lt;div class="mlacite"&gt;Representations&lt;br /&gt;-from JSTOR&lt;br /&gt;Holdings: 1983-&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44233</link>
<title>Representations</title>
<description>&lt;div class="mlacite"&gt;Representations&lt;br /&gt;-from University of California Press&lt;br /&gt;Holdings: 2001-&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/voyager/30510</link>
<title>Allgemeine deutsche Bibliothek [microform].</title>
<description>&lt;div class="mlacite"&gt;. &lt;span style="text-decoration: underline;"&gt;Allgemeine deutsche Bibliothek [microform]. &lt;/span&gt; series  Berlin : F. Nicolai; Stettin, 1765-1796.  &lt;br /&gt;Call#: Van Pelt Library   Microfiche 966&lt;/div&gt;
&lt;p&gt;Allgemeine deutsche Bibliothek 40 (1780) (Baumann German Opera)&lt;/p&gt;
&lt;p&gt;http://de.wikisource.org/wiki/Allgemeine_deutsche_Bibliothek_%28Musikartikel%29&amp;nbsp; Index to music articles!&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/ered/44138</guid>
<link>http://tags.library.upenn.edu/makerecord/ered/44138</link>
<title>Victorian Studies</title>
<description>&lt;div class="mlacite"&gt;Victorian Studies&lt;br /&gt;-from Project Muse&lt;br /&gt;Holdings: 1999-&lt;/div&gt;</description>
</item>
<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/ered/44137</guid>
<link>http://tags.library.upenn.edu/makerecord/ered/44137</link>
<title>New Literary History</title>
<description>&lt;div class="mlacite"&gt;New Literary History&lt;br /&gt;-from Project Muse&lt;br /&gt;Focuses on interpretation and theory.&lt;br /&gt;Holdings: 1995-&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44136</link>
<title>Modern Fiction Studies</title>
<description>&lt;div class="mlacite"&gt;Modern Fiction Studies&lt;br /&gt;-from Project Muse&lt;br /&gt;Holdings: 1985-&lt;/div&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/ered/44135</guid>
<link>http://tags.library.upenn.edu/makerecord/ered/44135</link>
<title>Modern Fiction Studies</title>
<description>&lt;div class="mlacite"&gt;Modern Fiction Studies&lt;br /&gt;-from Literature Online Full-Text Journals&lt;br /&gt;Holdings: 2002-&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44134</link>
<title>ELH : English Literary History</title>
<description>&lt;div class="mlacite"&gt;ELH : English Literary History&lt;br /&gt;-from JSTOR&lt;br /&gt;NOTE: Recent issues of this title (for the years 1995-2005) contain links to articles available through other online resources.&lt;br /&gt;Holdings: 1934-&lt;/div&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/ered/44133</guid>
<link>http://tags.library.upenn.edu/makerecord/ered/44133</link>
<title>ELH : English Literary History</title>
<description>&lt;div class="mlacite"&gt;ELH : English Literary History&lt;br /&gt;-from Literature Online Full-Text Journals&lt;br /&gt;Holdings: 2002-&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44132</link>
<title>Critical Inquiry</title>
<description>&lt;div class="mlacite"&gt;Critical Inquiry&lt;br /&gt;-from JSTOR&lt;br /&gt;Holdings: 1974-2002&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44131</link>
<title>Critical Inquiry</title>
<description>&lt;div class="mlacite"&gt;Critical Inquiry&lt;br /&gt;-from University of Chicago Press&lt;br /&gt;Holdings: 2002-&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44130</link>
<title>Social Text</title>
<description>&lt;div class="mlacite"&gt;Social Text&lt;br /&gt;-from JSTOR&lt;br /&gt;NOTE: Recent issues of this title (for the years 2000-2004) contain links to articles available through other online resources.&lt;br /&gt;Holdings: 1979-1999&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44129</link>
<title>Law and Sexuality: A Review of Lesbian Gay Bisexual and Transgender Legal Issues</title>
<description>&lt;div class="mlacite"&gt;Law and Sexuality: A Review of Lesbian Gay Bisexual and Transgender Legal Issues&lt;br /&gt;-from Hein Online&lt;br /&gt;1991-&lt;br /&gt;&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44128</link>
<title>Journal of the History of Sexuality</title>
<description>&lt;div class="mlacite"&gt;Journal of the History of Sexuality&lt;br /&gt;-from Project Muse&lt;br /&gt;Holdings: 2001-&lt;/div&gt;</description>
</item>
<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/ered/44127</guid>
<link>http://tags.library.upenn.edu/makerecord/ered/44127</link>
<title>GLQ: A Journal of Lesbian and Gay Studies</title>
<description>&lt;div class="mlacite"&gt;GLQ: A Journal of Lesbian and Gay Studies&lt;br /&gt;-from Duke University Press Journals&lt;br /&gt;Holdings: 1993-&lt;/div&gt;</description>
</item>
<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/ered/44126</guid>
<link>http://tags.library.upenn.edu/makerecord/ered/44126</link>
<title>Gender and Society</title>
<description>&lt;div class="mlacite"&gt;Gender and Society&lt;br /&gt;-from Sage Full-Text Collections&lt;br /&gt;Holdings: 1987-&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44125</link>
<title>Legal Literature (1905-1911)</title>
<description>&lt;div class="mlacite"&gt;Legal Literature&lt;br /&gt;-from Hein Online&lt;br /&gt;Holdings: 1905-1911&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44124</link>
<title>Cardozo Studies in Law and Literature</title>
<description>&lt;div class="mlacite"&gt;Cardozo Studies in Law and Literature&lt;br /&gt;-from JSTOR&lt;br /&gt;continued by Law and Literature&lt;br /&gt;Holdings: 1989-&lt;/div&gt;</description>
</item>
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<link>http://tags.library.upenn.edu/makerecord/ered/44123</link>
<title>Law and Society Review</title>
<description>&lt;div class="mlacite"&gt;Law and Society Review&lt;br /&gt;-from JSTOR&lt;br /&gt;Holdings: 1966-&lt;/div&gt;</description>
</item>
<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/ered/44122</guid>
<link>http://tags.library.upenn.edu/makerecord/ered/44122</link>
<title>Law and Sexuality: A Review of Lesbian Gay Bisexual and Transgender Legal Issues</title>
<description>&lt;div class="mlacite"&gt;Law and Sexuality: A Review of Lesbian Gay Bisexual and Transgender Legal Issues&lt;br /&gt;-from Hein Online&lt;br /&gt;1991-&lt;br /&gt;&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44121</link>
<title>Law and Literature</title>
<description>&lt;div class="mlacite"&gt;Law and Literature&lt;br /&gt;-from JSTOR&lt;br /&gt;continues Cardozo Studies in Law and Literature&lt;br /&gt;Holdings: 2002-&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44120</link>
<title>Narrative</title>
<description>&lt;div class="mlacite"&gt;Narrative&lt;br /&gt;-from Project Muse&lt;br /&gt;Holdings: 2002-&lt;/div&gt;</description>
</item>
<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/ered/44119</guid>
<link>http://tags.library.upenn.edu/makerecord/ered/44119</link>
<title>Victorian Studies</title>
<description>&lt;div class="mlacite"&gt;Victorian Studies&lt;br /&gt;-from Literature Online Full-Text Journals&lt;br /&gt;Holdings: 1994-&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44117</link>
<title>Diacritics</title>
<description>&lt;div class="mlacite"&gt;Diacritics&lt;br /&gt;-from JSTOR&lt;br /&gt;NOTE: Recent issues of this title (for the years 2000-2003) contain links to articles available through other online resources.&lt;br /&gt;Holdings: 1971-&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/ered/44115</link>
<title>Modernism/Modernity</title>
<description>&lt;div class="mlacite"&gt;Modernism/Modernity&lt;br /&gt;-from Project Muse&lt;br /&gt;Interdisciplinary coverage from 1860 to the present (music, architecture, visual arts, literature, and social and intellectual history.)&lt;br /&gt;Holdings: 1994-&lt;/div&gt;</description>
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<title>Toward Just Sustainability in Urban Communities: Building Equity Rights with Sustainable Solutions -- Agyeman and Evans 590 (1): 35 -- The ANNALS of the American Academy of Political and Social Science</title>
<description>&lt;p&gt;Two concepts that provide new directions for public policy,&lt;sup&gt; &lt;/sup&gt;environmental justice and sustainability, are both highly contested.&lt;sup&gt; &lt;/sup&gt;Each has tremendous potential to effect long-lasting change.&lt;sup&gt; &lt;/sup&gt;Despite the historically different origins of these two concepts&lt;sup&gt; &lt;/sup&gt;and their attendant movements, there exists an area of theoretical&lt;sup&gt; &lt;/sup&gt;compatibility between them. This conceptual overlap is a critical&lt;sup&gt; &lt;/sup&gt;nexus for a broad social movement to create livable, sustainable&lt;sup&gt; &lt;/sup&gt;communities for all people in the future. The goal of this articleis&lt;sup&gt; &lt;/sup&gt;to illustrate the nexus in the United States. The authors do&lt;sup&gt; &lt;/sup&gt;this by presenting a range of local or regionally based practical&lt;sup&gt; &lt;/sup&gt;models in five areas of common concern to both environmental&lt;sup&gt; &lt;/sup&gt;justice and sustainability: land use planning, solid waste,&lt;sup&gt; &lt;/sup&gt;toxic chemical use, residential energy use, and transportation.&lt;sup&gt; &lt;/sup&gt;These models address both environmental justice principles while&lt;sup&gt; &lt;/sup&gt;working toward greater sustainability in urbanized areas.&lt;/p&gt;</description>
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<title>First Monday: Journal devoted to the Internet</title>
<description>&lt;p&gt;&lt;em&gt;First Monday&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp; "...one of the first openly accessible, peer&amp;ndash;reviewed journals on the Internet, solely devoted to the Internet...First Monday is indexed in Communication Abstracts, Computer &amp;amp; Communications Security Abstracts, DoIS, eGranary Digital Library, INSPEC, Information Science &amp;amp; Technology Abstracts, LISA, PAIS, and other services."&lt;/p&gt;</description>
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<title>Journal of wildlife diseases</title>
<description>&lt;div class="mlacite"&gt;&lt;span style="text-decoration: underline;"&gt;Journal of wildlife diseases&lt;/span&gt; [0090-3558]&lt;/div&gt;</description>
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<title>Kracauer, Siegfried; Melnitz, William; Pozner, Vladimir. "Jean Vigo." Hollywood Quarterly. Vol. 2, No. 3 (Apr., 1947). 261-263. University of California Press.</title>
<description>&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; This article starts out with an excellent Introductory Note, in which Vladimir Pozner calls Vigo a rebel, and notes that &amp;ldquo;he used the camera as a weapon, not an anesthetic.&amp;rdquo; The article by Kracauer starts out with brief summaries of Vigo&amp;rsquo;s four films, and then discusses Vigo&amp;rsquo;s &amp;ldquo;relation to the screen.&amp;rdquo; The author makes note of Vigo&amp;rsquo;s indiscriminate treatment of humyns as related to objects when filmed, particularly in the mise-en-scene of &amp;ldquo;Atalante.&amp;rdquo; In this film, Vigo not only uses objects as &amp;ldquo;silent accomplices of our thoughts and feelings,&amp;rdquo; but also as a way to ponder the situations where their psychological &amp;ldquo;influence predominates.&amp;rdquo; Kracauer makes a brilliant observation that &amp;ldquo;since increasing intellectual awareness tends to reduce the power of objects over the mind, he logically chooses people who are deeply rooted in the material world&amp;rdquo; for leading roles. On &amp;ldquo;Z&amp;eacute;ro de Conduite,&amp;rdquo; Kracauer makes a few close-reading analyses, particularly about ways in which Vigo can communicate the feeling of isolation using placement of objects. He also observes that objects &amp;ldquo;participate in childish play.&amp;rdquo; Essentially, he argues that the role of the objects in his film was satire.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; This article presents a unique micro-perspective on the role of objects in Vigo&amp;rsquo;s film. It is especially valuable to my thesis because it notes how objects are used for satire, as a method of subversion. Sometimes, objects are also used in combination with mise-en-scene to give off feelings such as isolation, which is especially important because it focuses on the more individual character psychology, something my thesis leaves out but can surely benefit from, by paralleling the isolation of children in school to the institutional oppression of school which indoctrinates children to be competitive, angry, and ultimately anti-social.&lt;/p&gt;
&lt;p&gt;full citation: Kracauer, Siegfried; Melnitz, William; Pozner, Vladimir. "Jean Vigo." Hollywood Quarterly. Vol. 2, No. 3 (Apr., 1947). 261-263. University of California Press. &amp;lt;http://www.jstor.org/stable/1209412&amp;gt;.&lt;/p&gt;</description>
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<title> Nazi Modern</title>
<description>&lt;p&gt;&lt;span&gt;&lt;span style="font-size: xx-small; font-family: times new roman; color: #666666;"&gt;Fritzsche, Peter. "Nazi Modern." &lt;span style="text-decoration: underline;"&gt;Modernism/Modernity&lt;/span&gt; 3.11996 1-22. 1 Dec 2008 .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The Nazis came to power because of the hopelessness of the German people due to the disastrous condition in which Germany was left following WWI. The people were not happy to see the Nazis in particular; they accepted them because they needed a change. The main goal of the Nazis was to exterminate the Jewish people, yet most Germans did not agree with this agenda.&amp;nbsp; The Nazis embraced technology and made Germany&amp;rsquo;s economy more industrialized and more technologically advanced.&amp;nbsp; Because of this some people, oversimplify the Nazis&amp;rsquo; impact on Germany and say that they were modernizers.&amp;nbsp; The more complex view argues that Nazis were modernists.&amp;nbsp; As modernists, the Nazis sought racial purification in an attempt to unify and strengthen the German society so that it would be &amp;ldquo;strong and homogeneous enough to prosper in the dangerous era of world wars&amp;rdquo; (Fritzsche).&amp;nbsp; This racial purification in conjunction with increased social programs were measures to promote national health and were seen as modern ways to better German society.&amp;nbsp; In theory, these practices could have made German society very strong and unified, but these apparent benefits do not justify the mass murders that were made necessary to carry out the racial purification.&amp;nbsp; This racial purification, ultimately, destroyed German society because the wrath of the world for the murderous injustices Germany was committing.&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; The initial background for the argument of this article is that the people were never won over by the Nazis.&amp;nbsp; This information offers a new perspective.&amp;nbsp; This lack of all out support by the people may be the reason that Goebbels and the Nazis were so concerned with maintaining public support.&amp;nbsp; If their support was a given, surely Goebbels would not have spent so many resources on propaganda like &lt;em&gt;Kolberg&lt;/em&gt;.&amp;nbsp; The overarching goals of the Nazis for unity also explain why the public's consensus with the goals of the Nazi Party was so desirable.&amp;nbsp; In creating a unified German society, surely the Nazis not only wanted unification with race and appearance, but unification with the thoughts and minds of the German people.&amp;nbsp; The Nazis felt that this unification was key to strength in this dangerous world.&amp;nbsp; The Nazis' great desire to attain strength for the German society is explained by the way Germany was left crushed following WWI.&amp;nbsp; Overall, the desire for the unification of German society explains why such a high value was placed on propaganda and therefore, film, its most important medium.&lt;/p&gt;</description>
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<title>JSTOR: Columbia Law ReviewVol. 87, No. 8 (Dec., 1987), pp. 1723-1746</title>
<description>&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal" style="line-height: 200%;"&gt;An academic journal from Columbia  University, this source is the first on the list to fully support the &lt;em&gt;other&lt;/em&gt; side of the argument between song samplers and those being sampled.&lt;span&gt;&amp;nbsp; &lt;/span&gt;McGiverin begins the journal by arguing for the musician&amp;rsquo;s rights to be compensated for any and all portions of his work that are reproduced in another work.&lt;span&gt;&amp;nbsp; &lt;/span&gt;He then goes on to divide his work into three main portions: the first of which describes sampling and its implications in the music industry, the second applies the 1976 Copyright Act to sampling from phonorecords, and finally the third investigates state common law and rights of publicity in terms of musicians&amp;rsquo; control over their original work.&lt;span&gt;&amp;nbsp; &lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="line-height: 200%;"&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;A source of this nature is essential for any paper analyzing the issue of sampling in the music industry, seeing as it provides the exact counter-argument of a few of the sources found.&lt;span&gt;&amp;nbsp; &lt;/span&gt;McGiverin continues to refer to an artist&amp;rsquo;s sampled work as his or her &amp;ldquo;auditory identity,&amp;rdquo; giving great importance to the underlying bass lines and riffs that make up the background of a performance.&lt;span&gt;&amp;nbsp; &lt;/span&gt;In doing so, he asserts the value of these otherwise-overlooked aspects of a work.&lt;span&gt;&amp;nbsp; &lt;/span&gt;Seeing that they are often the portion involved in the sampling, they should be given greater significance and, as McGiverin believes, the original artist should be compensated for their use.&lt;span&gt;&amp;nbsp; &lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="line-height: 200%;"&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;As mentioned above, this source is arguably the most important, simply because of the point of view that it represents.&lt;span&gt;&amp;nbsp; &lt;/span&gt;Although this paper has been unbiased in theory, the majority of the sources were all either neutral or in support of one side of the argument.&lt;span&gt;&amp;nbsp; &lt;/span&gt;By providing an intelligent and fresh insight into this half of the issue, this source is one of a few to complete the perspective in order to find a well-informed answer to the question concerning the limits and merits of digital sampling in the music industry.&lt;span&gt;&amp;nbsp; &lt;/span&gt;&lt;/p&gt;</description>
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<title>Journal of Herpetology</title>
<description>&lt;div class="mlacite"&gt;&lt;span style="text-decoration: underline;"&gt;Journal of Herpetology&lt;/span&gt; [0022-1511]&lt;/div&gt;</description>
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<link>http://tags.library.upenn.edu/makerecord/voyager/30398</link>
<title>Journal de Paris [microform].</title>
<description>&lt;div class="mlacite"&gt;. &lt;span style="text-decoration: underline;"&gt;Journal de Paris [microform]. &lt;/span&gt; series  [Paris, France] : Impr. du Journal de Paris, [1795-1811]  &lt;br /&gt;Call#: Van Pelt Library   Microfilm news 409&lt;/div&gt;
&lt;p&gt;16 Dec 1792 - Philidor ad&lt;br /&gt; 1801 - Robertson ads&lt;/p&gt;</description>
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