Social Networking: An Age-Neutral Commodity – Social Networking Becomes a Mature Web Application emphasizes that social networking is driven by its users, not necessarily the system. Social networking’s rise emanates from frenetic growth, rapid acquisitions by large web companies, fast migration from specialist to generic audiences, and the dominance of a few players like Myspace and Facebook.  Moreover, social networking sites have attracted a wider range of age groups because of three reasons: older users are adopting technology at a faster rate than their ancestors; social networking sites with business skews (like LinkedIn) have generated legitimate appeal among major corporations who leverage the sites as corporate tools; and users congregate with like-minded types.

I would challenge the article’s assertion that social networking is driven – at least, initially – by its users rather than the system itself.  Myspace, for instance, began as a music-sharing service; therefore, it revolved around an object rather than organic community growth.  Additionally, social networks are only successful when the “volume of members and content results in the users obtaining tangible benefits.”  The proliferation of social networking sites dilutes their novelty (and the intrigue of their features), which will eventually exceed a critical mass of users who remain interested.

Read Kendall. "Stellar Throng Attends El Capitan Event. " Rev. of: Citizen Kane. Los Angeles Times (1886-Current File) [Los Angeles, Calif.] 9 May 1941,18. ProQuest Historical Newspapers Los Angeles Times (1881 - 1986). ProQuest. Van Pelt Library University of Pennsylvania, Philadelphia, PA. 9 Apr. 2008

This article by a LA Times correspondent, written on May 9, 1941, documents the west coast premiere of Orson Welles’s famous film Citizen Kane. Kendall reports that the premiere of Citizen Kane is held at the famous El Capitan Theater, a Hollywood landmark stage theater. The author describes a nostalgic feeling of “the old days” of Hollywood amid spot lights which pierced the sky in front of thousands of fans gathered – much in today’s fashion – to see their favorite stars. The glitz and glamour seems to add to Welles’s ego as he walks down the red carpet, his entrance timed. The crowds make even more noise for Barrymore as he walks into the theater. When stopped for questioning on the red carpet, Welles makes only one remark – about his gratefulness to George Schaefer, the president of RIO-Radio Pictures. “If it had not been for George J. Schaefer there would not be a Citizen Kane.” Outside the theater, the star-struck crowd for the premiere is so large that RKO had to erect temporary bleachers. The article then extensively lists the famous attendees, including Mickey Rooney, Ronald Reagan and Bob Hope. Kendall also includes a photograph of the “stellar foursome” including John Barrymore, Dolores Del Rio, Orson Welles, and Dorothy Comingore.

This article is a fantastic first hand account of the media and popular frenzy surrounding the grand release of RKO’s Citizen Kane. The movie premiered at the famous El Capitan Theater and was the first movie to be shown at that location. The theater remains a landmark to this day on the Hollywood strip. This article clearly shows that despite Hearst’s best efforts to suppress the film’s release, these attempts only furthered to publicize the movie and create even more attention for the premiere. Hearst did succeed in limiting the films success and it wasn’t for many years that interest in the film was revived. This article also, interestingly enough, reveals that as early as 1941, Hollywood felt a sense of nostalgia for the good-old-days of past. It is interesting to see these feelings manifest at such an early date, especially because today we consider Hollywood’s Golden Age to encompass the 1920s through the late 1950s.

This very recent compilation (2005) contains 11 scholarly articles on the subject of adolescent girls and their use of the web, from perspectives of age, gender, ethnicity, and sociology/media theory.  With regard to the subject of teenage girls and fandom, I am interested in Scodari's work on the negotiation of age and gender in TV fan newsgroups, since I am also discussing women's speech in such groups.  Mazzarella continues this topic with her discussion of the "cultural economy" of teenage girls fandom on the internet.  Finally, Thiel takes on the description of the construction of identity and gender identification for girls over instant messaging, which she describes as both a cultural and an experimentation space.  While this text does not discuss specific linguistic topics, it does serve as an interesting sociological reference for young women's behavior on the internet, which could influence or inform linguisitic decisions online.