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Read Kendall. "Stellar Throng Attends El Capitan Event. " Rev. of: Citizen Kane. Los Angeles Times (1886-Current File) [Los Angeles, Calif.] 9 May 1941,18. ProQuest Historical Newspapers Los Angeles Times (1881 - 1986). ProQuest. Van Pelt Library University of Pennsylvania, Philadelphia, PA. 9 Apr. 2008
This article by a LA Times correspondent, written on May 9, 1941, documents the west coast premiere of Orson Welles’s famous film Citizen Kane. Kendall reports that the premiere of Citizen Kane is held at the famous El Capitan Theater, a Hollywood landmark stage theater. The author describes a nostalgic feeling of “the old days” of Hollywood amid spot lights which pierced the sky in front of thousands of fans gathered – much in today’s fashion – to see their favorite stars. The glitz and glamour seems to add to Welles’s ego as he walks down the red carpet, his entrance timed. The crowds make even more noise for Barrymore as he walks into the theater. When stopped for questioning on the red carpet, Welles makes only one remark – about his gratefulness to George Schaefer, the president of RIO-Radio Pictures. “If it had not been for George J. Schaefer there would not be a Citizen Kane.” Outside the theater, the star-struck crowd for the premiere is so large that RKO had to erect temporary bleachers. The article then extensively lists the famous attendees, including Mickey Rooney, Ronald Reagan and Bob Hope. Kendall also includes a photograph of the “stellar foursome” including John Barrymore, Dolores Del Rio, Orson Welles, and Dorothy Comingore.
This article is a fantastic first hand account of the media and popular frenzy surrounding the grand release of RKO’s Citizen Kane. The movie premiered at the famous El Capitan Theater and was the first movie to be shown at that location. The theater remains a landmark to this day on the Hollywood strip. This article clearly shows that despite Hearst’s best efforts to suppress the film’s release, these attempts only furthered to publicize the movie and create even more attention for the premiere. Hearst did succeed in limiting the films success and it wasn’t for many years that interest in the film was revived. This article also, interestingly enough, reveals that as early as 1941, Hollywood felt a sense of nostalgia for the good-old-days of past. It is interesting to see these feelings manifest at such an early date, especially because today we consider Hollywood’s Golden Age to encompass the 1920s through the late 1950s.
This article by a LA Times correspondent, written on May 9, 1941, documents the west coast premiere of Orson Welles’s famous film Citizen Kane. Kendall reports that the premiere of Citizen Kane is held at the famous El Capitan Theater, a Hollywood landmark stage theater. The author describes a nostalgic feeling of “the old days” of Hollywood amid spot lights which pierced the sky in front of thousands of fans gathered – much in today’s fashion – to see their favorite stars. The glitz and glamour seems to add to Welles’s ego as he walks down the red carpet, his entrance timed. The crowds make even more noise for Barrymore as he walks into the theater. When stopped for questioning on the red carpet, Welles makes only one remark – about his gratefulness to George Schaefer, the president of RIO-Radio Pictures. “If it had not been for George J. Schaefer there would not be a Citizen Kane.” Outside the theater, the star-struck crowd for the premiere is so large that RKO had to erect temporary bleachers. The article then extensively lists the famous attendees, including Mickey Rooney, Ronald Reagan and Bob Hope. Kendall also includes a photograph of the “stellar foursome” including John Barrymore, Dolores Del Rio, Orson Welles, and Dorothy Comingore.
This article is a fantastic first hand account of the media and popular frenzy surrounding the grand release of RKO’s Citizen Kane. The movie premiered at the famous El Capitan Theater and was the first movie to be shown at that location. The theater remains a landmark to this day on the Hollywood strip. This article clearly shows that despite Hearst’s best efforts to suppress the film’s release, these attempts only furthered to publicize the movie and create even more attention for the premiere. Hearst did succeed in limiting the films success and it wasn’t for many years that interest in the film was revived. This article also, interestingly enough, reveals that as early as 1941, Hollywood felt a sense of nostalgia for the good-old-days of past. It is interesting to see these feelings manifest at such an early date, especially because today we consider Hollywood’s Golden Age to encompass the 1920s through the late 1950s.