With any new industry, there will be issues and conflicts that must be resolved.  The green building industry is no different.  Through Green Building Law Update, I aim to point out the problematic regulations and industry trends that are ripe for litigation (i.e. LEEDigation) in order to hopefully prevent some of these issues and conflicts from arising.

This 15 minute documentary produced by the Cambrige Community Television is the result of their 3 month documentary production course. In it, various leaders citizen journalists who have created their own websites as well as academic scholars from Harvard University and members of the CCT are interviewed to offer their perspectives on citizen journalism. the medium through which citizen journalism is being exercised is new but the documentary puts into perspective how actual citizen journalism is nothing new, citing Tom Payne's 18th century pamphlet "Common Sense." The layman's struggle to have their voice heard after been refused access to the mainstream market is nothing new.

In the beginning sequence we see a computer screen and hear commentary on citizen journalism from different unknown people. One of those voices says that a citizen journalist was recently arrested which suggests that very real world and dire consequences are being imposed on people who are not necessarily protected by journalistic rights but who are perhaps persecuted and judged by a heavier hand than traditional journalists. Citizen journalism takes on a guerrilla aspect in this film, returning the power to the people and allowing them to reflect on what's happening to them rather than being acted upon, and refocusing citizen journalism from part of the media machine to part of the academic world where blogs act as tools of education.

In this documentary citizen journalism is discussed in a way that does not atempt to compare it to mainstream journalism, the bloggers should not offer unbiased commentary like we expect mainstream media to do, instead it is their duty to "stand on a soap box" and counteract the industry machine. Citizen Journalism is part of a revolutionary movement that struggles to put the power of the people back in their own hands but is this really journalism or a merely  sensational tool of empowerment for the public? Can it be both?

Keen's book addresses a multitude of concerns as to how the internet is ruining American culture but in regards to citizen journalism, he vehemently introduces concerns over the excess of information and the threat it poses on American democracy. Amateurs threaten the marketplace and detract from mainstream, reputable sources. Keen says that finances and training are at the base of good journalism, so while the internet provides a "soapbox" for any and everyone, the tools needed to create good news are lacking and so the information that is being spread is corrupt and inaccurate. Furthermore, Keen says that the information is highly biased and sensational, posing as news when it is really entertainment. Keen touches on the layman's ability to self publish as a danger because it introduces alot of misinformation into the market, making it more difficult for people to reach accurate information. Keen devalues citizen journalism's efforts to slay the major media industry "Goliaths" as he proposes that such intervention is not needed.

While I do not agree with Keen's argument I think his book illuminates a popular and partially true opinion about citizen journalism and journalists or "amateurs bloated with hot air" as he so eloquently puts it. Keen's point of attack is really credibility, which I think is a valid one. It is true that professional journalists are more liable in the court of law than amateur journalists are but I think this speaks more to the fact that the law hasn't caught up to the digital age, to this new space that exists outside of our physical world. One thing that Keen does agree with advocates of citizen journalism on is that this new type of journalism speaks to niche markets. Keen however debunks the importance of such markets; "...professional journalists can go to jail for telling the truth; amateurs talk to each other about their cars." Keen forces contemplation of whether or not the nature of news should be to inform or to converse. Questions of the quality of political discourse arise, which really comes down to whether or not more is better or if more is just more. Reading Keen's aritcle has made it clear that I will have to clearly distinguish the difference between entertainment/recreational blogging and legitimate citizen journalism. Keen seems to oscillate between criticizing "the amateur bloggers wax on trivial subjects like their favorite brand of breakfast cereal, or make of a car, or reality television personality" and blogs & websites with missions of informing the public of news worthy subjects that are not portrayed in the mainstream. Also, it could hardly be argued that all "news" in the mainstream is newsworthy. Ultimately, I think Keen's piece is necessary as it is a popular argument and so a relevant one. I would like to use his commentary on citizen journalism as a framework for debunking common myths.

 

"Powerlaws, Weblogs and Inequality." Clay Shirky's Writings About the Internet - Economics & Culture, Media & Community, Open Source. 8 February 2003. .

While the internet does have the potential to give a voice to all who are digitally connected, what purpose does it serve if that voice is never heard or if it is not heard by a robust audience? Shirky speaks about the audience distribution of blogs, with 12% of blogs accounting for 50% of the web trafficing in the webworld. The popular belief that the blog world eliminates hierarchical power structures and systems of inequality is debunked. Shirky's basic argument is "Diversity plus freedom of choice creates inequality, and the greater the diversity, the more extreme the inequality." All blogs can not be equally popular all the time. What's more is that the more popular a blog, the less conversational it becomes as it becomes more difficult to maintain personal relationships with subscribers. Instead of being a conversation forum, it becomes a one-way point of entry into information.Conversational blogs then become the "long tail" of blogs, those blogs with few subscribers that can neatly facilitate interactive experiences between blog subscriber and blogger.

This article begs two questions when discussing citizen journalism (in blog format or website format): 1) should news be conversational #2) does citizen journalism threaten the same discriminatory hierachies that originally catapulted news blogs? In Andrew Keen's book, "Cult of the amateur: how the internet is killing today's culture" he insists that news is not meant to be conversational, objectional reporting is not something to be discussed and weighed in on. Media professionals are meant to act as gatekeepers to newsworthy information, society has entrusted them with this responsibility and such a responsibility is not to be infringed upon by everyone's uinformed and even informed opinions. Centralized power exists to maintain accuracy and order but the internet is based on decentralized power.

Also, if the popularity of news blogs is a result of the mainstream media's abuse of power, do online blogs threaten to recreate these same power structures and consequentially the same abuses? Theories purported by Daniel Drezner and Henry Farrell suggest that this is unlikely. Accroding to Drezner and Farrell, the news blogs often do not just serve as news resources but also as part of a checks and balances system for the mainstream. Therefore, their position in the news world is fostered in relation to the mainstream media's abuse of power.

 

Shirky's book discusses the rise of amateurism, covering everything from collective thought and publishing (i.e. Wikepedia) to the ways in which digital technology (i.e. phone and email) has transposed itself into real world law and interactions. In his chapter, "Everyone is a Media Outlet"  Shirky discusses the definition of professionalism and how it relates to certain professions. His argument is that the internet has upset the very foundation of certain professions (i.e. photography, journailsm). By definition, professionals do not exist in mass. Not everyone is a professional photographer just because they take a picture, just like not everyone is  journalist because they convey information to the public, even if it is newsworthy information. That technology and the internet has provided a platform for the world to access is undeniable but the ways in which the world is now able to access this information (i.e. news blogs, photosharing websites) threatens to revolutionize certain professional systems.

Shirky's chapter is imperative to any discussion of citizen journalism because he differentiates between professionals and non-professionals who perform professional acts such as the blogger who is dedicated to providing the public with accurate newsworthy information but holds no credentials and is not recognized in the journalistic profession. Professionals, in any field, are identified as such not just through the work that they create but through their training, through their peers and through their scarcity. Shirky reframes and takes a step back from the ethical arguments over the responsibilities of citizen journalists to an argument about whether or not they are professionals in the first place and what implications the answer to that question makes. This would seem an insignificant question, but in fact it helps sort through a host of issues. The definition of a professional renders citizen journalists as unprofessional because professionals do not exist in mass, which begs the question of whether or not the citizen journalist can be afforded certain journalistic privileges. 

What's more is that the internet has now given the citizen the ability to determine what is newsworthy, to give face to issues that may have previously been ignored by professionals due to financial or editorial restrictions or bring under-the-radar events or public opinion to the forefront, or rather front page of print.

The purpose of this project is to analyze the recent phenomenon of citizen journalism. The internet has created a new platform for the creation and distribution of information. The layman or amateur is now able to perform professional functions through news websites, blogs, photo sharing sites, etc. Newsworthy material is no longer guarded by a select few people who the general public must depend on to remain informed. With this new power that the layman has yielded comes responsibility though... or does it? Should the layman be held accountable by the same standards as a traditional journalist, if they are in fact performing the same function? Furthermore, is it really possible for an amateur to perform the same function as a professional? This is to say much of what makes a professional is based on the technology they have access to, a journalist is not simply a journalist simply because he writes or even because he has studied journalism but because he is a part of a recognized industry. Other issues surrounding the move of traditional print news sources move to the internet are to be discussed. What threat do citizen journalists pose to traditional papers' websites? Can anyone really compete with the Washington Post or the New York Times? Perhaps most importantly the question of why citizen journalism became so popular will be addressed. I hypothesize that technology has a great deal to do with it. People create blogs and offer their opinion to the digitally connected world simply because they are now able to. High quality camera phones and digital cameras allow us to interact in a way and with an immediacy that was never possible before, so why not indulge. But, beyond egotistical motivations I think cross media market monopolies must be held accountable. The homogenization of news material, amongst other things, has forced the "amateur" to take news gathering into his own hands. With the help of the FCC and deregulation, media conglomerates are now able to own mostly all of the venues of information for entire markets. Television stations, radio stations (i.e. Clear Channel) and newspapers are all owned by the same company in some markets, which begs the question what is being fed to the public? If we depend on these limited resources to inform an ever growing populace, everything from what the local weather will be like to how we will vote for the future of our country, then a lack of diverse opinions threatens democracy. I this very homogenization is part of the reason that the citizen has taken things into his own hands to become an autonomous news source.

Bercovici, Jeff. "'Citizen Journalists' Don't Get a Pass on Ethics." Conde Nast Portfolio June 2008 .

This brief article serves as a introduction to the controversy surrounding citizen journalist Mayhill Fowler. Fowler recently received media attention because of her coverage of Barack Obama; she audio recorded Obama's comment about "bitter" small town voters. Obama was not made aware by Fowler that this recording would be published. Bercovici charges Fowler's recording and publishing of Obama's comment as unethical, hence the title of the article. Bercovici also bring in, very briefly, the opposing commentary, made by NYU Journalism Professor, Jay Rosen; "Fowler didn't have much time to identify herself as a journalist (in the latter instance) and, moreover, because she's not a journalist in that sense that she's only one of very many unpaid contributors to Off The Bus. "I'm not sure we can tell all 1,700 contributors, 'You're all reporters for the Huffington Post... That's not really true.'"

This case highlights, perhaps the largest, controversial issue of blogging. According to Bercovici, Fowler acted unethically by failing to inform Obama that his comment would be recorded and potentially published. but the larger issue being discussed is whether or not news bloggers should and can be held to the same standard as professional/traditional journalists. Had Fowler been a professional journalist, any question of ehtics would have been easily decided - she would be charged with acting unethically but because Fowler does not hold the official title of journalist, can we still hold her to the same professional standards.

Holding citizen journalists to a professional standard implicates more than issues of ethical practice but also issues of content. That is to say, is it fair to expect the highest quality (professional even) news reporting from citizen journlists but not hold them to the same ethical standard that we hold professionals to. Can we consider a citizen journalist a professional in some regards and not in others? I would propose that the answer to this question is no, but that is not to say that Fowler acted unethically. The role of the citizen journalist is very unique to the modern world, with the internet and technological advances, the internet has not only created a new space that must be governed rather precariously but it has also given rise to a new populous of peole who occupy that space. The citizen journlaist is one of the new characters that occupies that space and consequently the guidelines that dictate their roles in this new space are different from those of a traditional journalists. Bercovici's last line, "Being a "citizen journalist" doesn't mean you get to pose as a citizen and then publish as a journalist." effectively rams this controversial point home because the very title "citizen journalist" indicates that one can do exactly that, straddle their citizen and journalist roles but which aspects of each should citizen journalists exercise.

My project focuses on the uses of the Internet in Iran. In particular, I will be examining how the Iranian public uses the Internet to express dissent or communicate about subjects that would violate the government's strict moral code. In order to focus the project more, I plan to focus on the incredibly-large Iranian blog community. In this annotated bibliography, I am hoping to discover how Iranians are using the internet, how blogs affect political discourse, and the particular methods used by the government to censor dissident speech.

OpenNet Initiative. Internet Filtering in Iran in 2004-2005: A Country Study. 9 Apr. 2009.

This repotr by the OpenNet Initiative is a thorough analysis of the internet filtering technology used in Iran. The study begins with a detailed description of the regulation and censorship restrictions in place both in print media and online. Then, the ONI attempts to study the Iranian filtering system. Through accessing remote computers behind Iran's firewalls, the ONI tested a list of websites to see whether they would be accessible or not. They try this technique on multiple computers and do it several different times in order to get an understanding of how consistently a certain website is blocked. Through analyzing the content of HTTP headers and web site loading time, researchers separated sites into four categories: unfiltered, possibly filtered through redirection, possibly filtered with a possible network connection error, and definitively filtered. In Iran, researchers concentrated on two ISPs: the private ParsOnline and the state-owned TCI. Results showed that only one-third of websites tested were blocked. Sites with pornographic material or that provided access to circumvention tools was filtered more successfully. Over the testing period of a year, filtering increased, particularly the filtering of blogs.

This study is perhaps the only empirical study that tests the regulation mechanism in Iran. By providing details of the filtering software and giving empirical data, readers get a clearer picture of the breadth of content that the Iranian government seeks to block. The filtering in Iran appears to be at a sophisticated level, moving beyond pornographic content that violates Islamic law and focusing on more personal forms of expression, such as blogs. One interesting result, however, is that non-Iran specific sites or non-Farsi content is harder for the filtering software to block. Still, the software in place results in an "overbreadth" of sites being blocked, censoring more forms of expression than needed/

Bledsoe, Elliott. "Lessig's Use of Flickr Photos: is Creative Commons Really a Community?" Creative Commons Through the Looking Glass.

          Bledsoe's blog was inspired by a comment Lessig made on his own blog about how, after using a photograph from Flickr in a post, the photographer actually came up to him in Hong Kong. According to Lessig, it was "the most amazing fact of the day". This led Bledsoe to question how, or even if, Creative Commons functions as a community since it relies not only on legal permission but on the idea of sharing and the relationships that sharing facilitates. What makes CC different is that things are not directly shared like they would be in the real world. He compares CC to borrowing a cup of sugar from your neighbor, which involves a direction need and interaction. Using a CC license, however, preempts sharing. Even though someone may not need or want to use the work, permission has been granted anyway without any direction interaction between parties. CC also lacks direct membership which even other online communities have. The point here is that with no central hub and no obvious boundaries in the community, it's actually likely that "members" (those using CC licenses) will feel very isolated. CC then becomes a community only in the fact that it facilitates smaller subcommunities which have come to use it.

        This article emphasizes this idea that Creative Commons facilitates communities and, in turn, the commons. Some of the examples of subcommunities that Bledsoe mentions are Flickr and DeviantArt, places that my project hopes to emphasize as models of the value of the commons online and how Creative Commons plays a role in it. Both of them are made possible, at least in part, but the larger CC community. However, the article points out an important distinction. CC itself is not (at least not yet) a community in the same way that Flickr and DeviantArt are. No one has to sign up or login to use CC licenses. No one discriminates against who can and cannot use these licenses and therefore little is shared among users except for their willingness to share. But smaller communities that embrace CC licenses offer the boundaries and distinctions necessary for a community to really flourish.      

Reporters Without Borders. Reporters sans frontières - Internet - Iran. 2004. 8 Apr. 2009.

This report by Reporters Without Borders (Reporters sans frontieres, or RSF) is part of a series of studies that examines obstacles to the flow of information over the internet. RSF's main concern with blogs is that they provide a more-objective source of news than the traditional Iranian media and that they allow for the organization of anti-government protests and demonstration. The RSF report also details the history of Internet regulation in the country, naming the bureaus responsible for controlling access and content on the internet. RSF reports cases of both reformists and conservative hard-liners using government in order to control the Internet. It then details the stories of three cyber-dissidents who have suffered harrassment at the hands of Iranian government officials.

The RSF report provides great background on internet regulation. While efforts at regulation were intensified after the report was published, RSF's concerns remain valid and many of the government policies remain the same. The report also situates the Iranian case in a larger context of internet censorship, which helps by providing opportunities for comparison and contrast. Furthermore, the report demonstrates that both factions of the Iranian government are taking steps to control the spread of information free from government control, perhaps presenting an argument to the idea that this new technology will inherently lead to democratization.

Tehrani, Hamid. "Iran's Revolutionary Guards Take on the Internet." Weblog post. Internet & Democracy Blog. 8 Jan. 2009. Berkman Center for Internet & Society at Harvard University. 7 Apr. 2009 .

Tehrani's post addresses an announcement made at the end of 2008 by a branch of the Iranian army that it plans to launch 10,000 blogs for military forces. The ideologically-motivated group sees blogs as a threat to the Islamic Republic and are concerned that it might lead to a non-violent revolution. Tehrani claims that a chief cause of the Revolutionary Guards' action is fears over the state's lack of control over the internet; the Iranian government controls all other media. In 2008, detailed information about corruption was posted and spread on blogs. As Iranian citizens spread the word, public outcry grew, causing many high-ranked officials to resign. Tehrani notes that this government accountability is much more prevalent now that Iranian citizens themselves have the ability to publish information. He remains skeptical about the Revolutionary Guards' efforts, stating that Iranian conservative media has never been able to attract readers--despite the lack of competition from other sources.

Tehrani's post mentions an intriguing policy decision that demonstrates changing attitudes in Iranian government. This "if you can't beat them, join them" belief is a shift from a policy of attempted censorship and filtering that has been largely ineffective. The post is also one of the few sources that mentions the existence of conservative blogs. Interestingly, mullahs and conservative politicians have also been turning to blogs to express their views, and many are well-read. Tehrani's critique of the government policy, however, is that these blogs will essentially be "mass-produced". The government is likely to keep a strict eye on them in order to ensure they reflect official policies. This regulation is counterintuitive to the spontaneous, often-opinionated dialogue that makes blogs so popular in Iran, which is likely to render them ineffective as propaganda tools.

Alavi, Nasrin. We Are Iran. Brooklyn: Soft Skull, 2005.

Alavi's book is an examination of Iranian political and social history that integrates excerpts from blogs into the historical narrative. The book begins by discussing the particular role of bloggers in society. Alavi examines the rise of blogs and the subsequent government censorship. Alavi then explains the role of history in promoting Iran's blog culture. She points to the closing of reformist newspapers and state control of the media. She also mentions the demographic shift taking place in Iran that has resulted in a large population under 30 who is eager for change. Alavi's entire book points to a conflict between globalization and tradition; she sees a Western cultural onslaught brought by the technological revolution (which introduced satellite dishes and PCs to Iran) in opposition to the Islamic revolutionary values promoted by the state. Throughout the chapters of her book, in which Alavi explores the perspectives of Iranian youth, Alavi is constantly discussing events in terms of their effects on blogging culture in Iran. She then connects bloggers' reactions and comments to actions taken by the state.

By connecting the nation's history with reactions or reflections from its people, Alavi demonstrates the power of Iranian blogs to critique the dominant social culture. Furthermore, Alavi's choice to integrate excerpts shows the use of blogs as a self-expression tool. Alavi also frequently demonstrates the link between blog posts and social movements, a connection similar to that of Chinese internet users. Alavi's selection of excerpts also demonstrates the wide variety of topics approached by Iranian bloggers and the styles they use to portray their situations.

Van Buren, Chris. "Morozov: The Internet No Democratic Cure." Weblog post. Internet & Democracy Blog. 3 Apr. 2009. Berkman Center for Internet & Society at Harvard University. 7 Apr. 2009 .

In a post on The Berkman Center's Internet & Democracy Blog, Van Buren responds to Evgeny Morozov's piece in the Boston Review on cyber-utopianism. He agrees with Morozov's assessment that intellectuals tend to overestimate the Internet's power to democratize, pointing to the fact that access to the Internet has not removed human rights abusers from power. Van Buren is concerned that online dissidence has led to a wave of heavier repression and authoritarianism that opposes the democratization many intellectuals seek to promote. Yet while believing that intellectuals' idea of technological determinism is naive, he also sees a possiblity for the web’s influence on democratic reform to exist, but in a subtle and slow manner. In order to defend this point, Van Buren examines the Iranian case. The sheer number and variety of Iranian blogs mean that total censorship is impossible, and this promotes the free speech necessary for democratic change. By doing so, Van Buren argues, freer speech becomes more of a norm, and this slowly will defeat censorship. Van Buren also notes that the blogosphere gives a voice to moderates who would otherwise be excluded from the traditional media's emphasis on polarized viewpoints.

Van Buren examines the implicit effects of the existence of so many Iranian blogs. While there is a dispute as to whether or not all Iranian bloggers seek to effect political change, the fact remains that the forum to discuss virtually anything remains open and free to access. Van Buren is suggesting that a social norm will be transferred from the Internet to the real world. At the same time, however, Van Buren ignores the recent efforts of the Iranian government to curb blogging through legal consequences such as imprisonment.

Lovink, Geert. Zero Comments: Blogging and Critical Internet Culture. New York: Routledge, 2008.

Lovink's book is primarily concerned with the rise of blogs and Web 2.0. He argues that blogs in the United States are bringing about the decay of traditional media and sees them as being largely driven by concerns about social ranking. In essence, he sees bloggers as "creative nihilists" who are "good for nothing." Lovink spends a portion of his book discussing Iran, a country where blogging's growth means the activity is no longer marginal. He notes that anonymity is essential for this growth. He then discuss the notion that blogging facilitates indigenization by creating an environment which gives cyberspace the same feel as the real world. In essence, Lovink believes that because blogs are so prevalent, people simply transfer their activities online. By doing this in the name of preserving their freedom, Lovink fears that Iranians are isolating themselves from the global community. He notes that many of these bloggers simply seek to expand their social networks and gain a special authority that they could not otherwise gain in the real world. Lovink also points out that anonymous blogging in Iran may not be as safe as Iranian bloggers believe. While ISPs are not centralized as in other countries (specifically China), it is hardly difficult for the authorities to track users based on their IP addresses (recent arrests of bloggers indicates this fact). Because of this, anonymous bloggers in Iran are really deluding themselves into complacency.

I chose to include Lovink's study in this book because of its counterpoint to traditional thinking about the Iranian blogosphere. Before addressing the issue of "nihilist blogging", it is important to mention that Lovink's perspective on anonymous blogging is valid. With ISPs submitting to state control, anonymous blogging would seem to largely be a social-norm. Yet Lovink doesn't seem too well-versed in the content of Iranian blogs. Many of the sentiments expressed on Iranian blogs would be unacceptable in Iranian public spaces. The fact that discussions of love (or other topics that would be considered immoral) can only be had on the internet seems to indicate that it is more than an extension of a person's physical world.

Jensen, Peder Are Nøstvold. "Blogging Iran: A Case Study of Iranian English-Language Weblogs." MA thesis. U of Oslo, 2004. 7 Apr. 2009 <http://www.duo.uio.no/sok/>.

Jensen's thesis challenges the notion that the internet exists in a "political or cultural vacuum". While he acknowledges that it is difficult to control information on the internet, he does point out a number of successful cases in which governments have succesfully controlled access to the internet in order to intimidate users and prevent them from seeking dissident viewpoints. Jensen also notes that since its introduction into authoritarian societies, the internet has yet to effect any change in authoritarian government. The bulk of Jensen's paper is a case study of Iranian English-language blogs. In his study, Jensen discovered that the censorship of these blogs has been increasing and that the majority of blogs seem to explicitly reference censorship and filtering. Additionally, he notes that the majority of bloggers inside Iran use anonymous identities. In spite of the recent crackdown on bloggers, Jensen reports that Iranians still have the most trust in the Internet.

Jensen's article provides a helpful set of excerpts and analysis that demonstrate the concerns of Iranian bloggers and their efforts to effect social and political change. These excerpts show that despite the main focus of these bloggers (whether it be art, sports, politics, or their personal lives), the concerns of censorship and political repression are ubiquitous. By providing these excerpts, Jensen thus explains the government's perceived need for filtering and censorship.

Doostdar, Alireza. "'The Vulgar Spirit of Blogging': On Language, Culture, and Power in Persian Weblogestan." American Anthropologist 106.4 (2004): 651-662. 7 Apr. 2009 <http://www.doostdar.com/articles/vsob.pdf>.

Doostdar, a blogger himself (writing in both English and Persian), opens his article by providing background on the vulgarity debate (bahs-e ebtzeaal) among Iranian bloggers. The debate concerns whether it is important to observe standard orthography and grammar, and whether the use of colloquial Persian is appropriate. Doostdar argues that the debate sparks mostly from the increasing separation of blogging from "offline" media, as well as a political clash between intellectuals and a larger group of people who use the internet to be free from any kind of authority or "intellectual pretense." He also challenges the naive assumption that the emergence of the internet will necessarily result in social, cultural, or political revolution. Doostdar points to many orthographic traits of blog writing to hint at the oral tradition of blogs. He continues on this idea to explain the "dialogic" nature of blogs; that is, blogs engage other texts (and other blogs and bloggers) in a dialogue about material. Part of this dialogue is an established custom of reciprocity that obliges the host blogger to comment on a visiting blogger's recent entries (the practice is known as did-o baazdid: "seeing and re-seeing"). He then discusses the use of "vulgarity" as a form of resistance.

While Doostdar doesn't address the larger social context of Iranian blogging, choosing instead to focus on the blogging community, many of his arguments can be extended from a linguistic debate to a larger social issue. Most importantly, the questions of linguistic authority and legitimacy reflect the dissidents view that the Islamic Republic and its moral code are illegitimate. While Doostdar speaks of resistance in terms of social practices, that resistance can be extended to a more subversive resistance against political authority as well. It is interesting that Doostdar chooses to connect blogging to oral speech traditions; in many ways, Iranian blogs are the discussions that the Iranian public is unable to engage in. Doostdar also ignores the occasional need to misspell in order to avoid censorship or filtering. Still, by examining this debate among bloggers, Doostdar further examines the diversity of Iranian bloggers and demonstrates how impassioned they are about the issues. He also shows how established they are becoming as a community.

summary

anaylsis

"Since we were "fortunate enough" to be in at the ground level of the flooding in Iowa in Cedar Rapids and at the University of Iowa, we are documenting as best we can our experiences from beginning to end at our blog, Preservation Beat. We're slowly converting our paper logs into this blog in the hopes of helping others."

This rebuttal ironically comes from a music blogger, and complicates my claim that blogs are poised to supersede traditional labels.  Dave Allen of Pempelmoose, states that blogs will simply not be the new music labels.  He credits this thinking to the crisis-mode state that the entire music industry is in and their hastiness to "grasp at straws."  His counterpoints center on a blogs' need to remain independent and his idea that record labels will not discontinue their functions as A&R sources.  Allen rebuts by saying that a blog must remain pure.  Plainly said, if they are contaminated by the corporate steamroller, blogs will lose the credibility they have garnered throughout the years.  Also, if MP3 blogging becomes a careerist endeavor, blogs will be shackled by a conflict of interest (promoting their own bands), betraying the very nature on which MP3 Blogs were founded. Also in regards to A&R, Allen states that the ceiling is caving in on major, not indie labels, who he claims to be thriving and will continue to act as band developers.

Allen is correct that if MP3 blogging became about money and sales, a conflict of interest would ensue.  However, there would be other blogs around who would police these postulated 'label-blogs' and poseurs would be quickly flagged and discredited.  Allen's second point is also true--major labels are flailing.  However that is all the more reason why MP3 blogs could become the new labels.  Capitalizing on the lack of trust in major record labels, a new system could develop--a congregation of smaller blogs.   

Legal Outlook For Blogs--Revisited

This article was written by Urs Gasser, a research fellow at the Berkman Center for Internet & Society at Harvard Law school.  In this article, Gasser examines the legal outlook for MP3 blogs and whether or not they are prime for litigation.  To determine this, Gasser examines the economic significance detailing blogs' relatively small size, means of musical promotion, their 'niche' clientele, and the short-term availability of the linked files as viable legal defenses for MP3 Bloggers.  Gasser also makes a Fair Use argument for both Blog uploaders and downloaders--citing that the non-comercial status of these blogs and their promotional effect don't have a negative impact on said markets.  Gasser also acknowledges the role that record labels play in the survival of blogs--by intentionally leaking teasers and unreleased tracks.  
 
This article sets up several premises of my paper.  It establishes MP3 blogs as the new gate-keepers of the music industry, citing these blogs as the effective modes of instantaneous promotion.  An important point is Gasser's mentioning that the record industry voluntarily leaks tracks to these blogs--snubbing the copyright law they have sued for in the past.  This point reaffirms my claim that record-labels themselves have taken part in legitimizing MP3 blogs as a means of new media.

 

This article by Forutune Magazine senior writer Devin Leonard, features Jon Cohen and Rob Stone, two veteran music marketers who have turned to MP3 web sites to reach their much desired demographic.  However, the difference lies in the fact that these two have gotten advertisers (blue chip companies) to sponsor free downloading.  They have set up a network of MP3 blogs and have already inked deals with Microsoft and Toyota.  The two say that Fortune 500 companies are finally realizing that blogs are where influential tastemakers graze, the same gatekeepers (with a constant audience) they want to advertise their products to.  While independent blogs have troubles obtaining profitable ads on their sites (due to the posting of illegal copy-written material), Cohen and Stone have capitalized because their network of blogs (serving only authorized material) has an audience of 240,000 which is more enticing to advertisers.

This article takes the postulated ideas of 'blogs as labels' and puts it into practice.  While this isn't exactly a record label, this is blogs acting as the publicity department for major labels, while still maintaining free content.  The marriage of blue chip companies with the trendiness of blog culture is what Cohen and Stone are capitalizing on.  Both advertisers and labels seem to comply and since their network of blogs appeals to 240.000 daily their audience is certainly substantial.  This could be the future role of blogs in the music industry. 

In this article, Betsy Schiffman of Wired Magazine, sets out to find out why MP3 Blogs have yet to be targeted by the RIAA, subsequently she declares that these blogs could be a "win-win" situation for all parties involved--including Google.  An owner of a blog aggregator divulges that record companies contact them about promoting bands."  The owner goes on to say that he performs this service free of charge; Schiffman declares that MP3 blogs are not a moneymaking operation.  Many blogs run ads, but these only add up to 75 cents for each hour put into it.  These ads come from Google's AdSense program.  Google reportedly makes 1/3 ($1.45 billion) from AdSense in 2007 alone.

This article discredits the Guardian article's assertion that blog aggregators hurts  the music industry.  If labels are voluntarily seeking out these hubs in order to further their band's notoriety, than they can't be "killing music" because if these labels could avoid a middleman they probably would.  Also why is the RIAA so laissez faire about MP3 blogs? Could it have something to with the fact that both sides are making money, emphasis on the record labels?  They are getting free promo, while bloggers toil simply out of love.  Also could the influence of Google, who has just as many lobbyists as the RIAA, carry a certain amount of clout in the RIAA's unwillingness to act?

Written by correspondent Siddhartha Mitter, this article defines what an audio blogger actually is.  Mitter makes a claim that these MP3 bloggers are tastemakers--influencing their audience about what is good and what is not.  An important point is that audio bloggers don't just post an MP3 file, they also provide commentary, "a whimsical capsule review, with sound attached," he calls it.  He defines audio bloggers as unpaid obsessive music geeks who have capitalized on this generation's "sense of immediacy" about everything culture related.  He  acknowledges that bloggers have become the tastemaking elite, able to take acts such as Diplo from "obscurity to sensation" because of the 'buzz' these bloggere build.  Also mentioned briefly is a vague allusion to an unwritten Bloggers' Code of Conduct', in reference to how long a song is allowed to remain an downloadable.

This article raises several different issues pertinent to my topic.  First, it underscores the importance of the 'non-commercial' status of blogs in regards to their legality.  Second, it reaffirms the ideas that bloggers are the dictators of what is deemed "cool" as opposed to the industry public relation firms, music magazines, MTV (old media).  Perhaps most importantly, it parallels the mp3 blog and the book review.  An MP3 blog is contingent upon the fact that along with the MP3 posted, there is some sort of commentary to go along with it.  To me, this raises the question of Fair Use.  Obviously, book reviews are allowed to print excerpts of the book in their critiques, and the courts have ruled this as a transformative version of the original work.  My insinuation, is that MP3 blogs could fall under the same statute.  Does the fact the song is being being critiqued force the MP3 blog under the Fair Use Defense by creating a transformative work?

In this article Miles Raymer of the Chicago Reader makes a claim that MP3 Blogs could be viable record labels.  He establishes MP3 blogs as  "curatorial" in function, performing the acts of a talent scout, and then offering the band an endorsement in the form of a good review.  He makes a note of the reader's loyalty to and trust in the blogs he or she visits.  Because blogs project a personality, it presents the illusion of a one-on-one friendship as opposed to the face-less record label.  The blog takes on the role of friend instead of a stoic music pusher.  It would only make sense, as he says, for these blogs to start signing and developing acts considering the strong brand loyalty and audience blogs would already have.

This article is a major point in my argument that blogs have transformed the music industry.  Raymer points out that Blogs are poised to replace traditional labels, since Old Media has lost out due to the tight reigns of radio and the narrow thinking of many major labels.  Blogs allow a direct appeal to the consumer under the guise of a helpful friend.  It is only a natural transition for them to become the industry norm, superseding the traditional label.  In a sense, these MP3 blogs would be acting like the all-encompasing labels of yesteryear such as Motown--finding the act, being the means of the publicity, and serving as A&R executives.

In a 2006 Rolling Stone article, it was stated that "geeks" can now make or break bands because of their tenuous hold on the "blogosphere." While these blogs often offer MP3s for readily available download (illegal), the presence of MP3 blogs "promotes progress," with their ability to critique, comment, and endorse up-and-coming artists. Moreover, the presence of blogs has made the Major labels middlemen instead of the culture dictators they once were.

"This blog is a pilot. The editorial board of LITA's Information Technology and Libraries would like to create an environment in which readers can discuss each issue of ITAL. We'll ask the authors of the articles to monitor the discussion for a period of time after publication so that you'll have a chance to interact with them, too."

Created by Lois Reibach, this blog will discuss news and trends in authority control, and new uses of authority data. Developments in controlled vocabularies will also be covered.

From ALCTS ANO:

"The Electronic Resources Interest Group now has a blog. The ERIG blog was developed and is maintained by Jennifer Lang. Announcements and updates to upcoming programs and speakers' presentation slides will be posted to the blog."

 

"Planet Cataloging is an automatically-generated aggregation of blogs related to cataloging and metadata"

Search engine for blogs

This blog has "News, research, and other information of interest to serials catalogers."

POSTOPOLIS!
An exhibition at the Storefront for Art and Architecture, NYC
May 29 2007 - Jun 2 2007

Featuring

BLDGBLOG, City of Sound, Inhabitat, and Subtopia

Postopolis! is a five-day event of near-continuous conversation about architecture, urbanism, landscape, and design. Four bloggers, from four different cities, will host a series of live discussions, interviews, slideshows, panels, talks, and other presentations, and fuse the informal energy and interdisciplinary approach of the architectural blogosphere with the immediacy of face to face interaction.

BLDGBLOG (Los Angeles), City of Sound (London),Inhabitat (New York City), and Subtopia (San Francisco) will meet in person to orchestrate the event, inviting everyone from practicing architects, city planners, and urban theorists to military historians, game developers, and materials scientists to give their take on both the built and natural environments. For the past five years, blogging has helped to expand the bounds of architectural discussion; its influence now spreads far beyond the internet to affect museums, institutions, and even higher education. Postopolis! is an historic opportunity to look back at what architecture blogs have achieved - both to celebrate their strengths and to think about their future.

In this short piece, reporter Bruno Navarro interviews Scott Schuman, creator of The Sartorialist, a popular New York City-based fashion blog with an aesthetic that generally centers on classically dressed adults. Schuman speaks briefly of his interest in fashion, generated as a young boy reading GQ and furthered during his career as a showroom manager at Valentino (which ended when he decided to become a stay-at-home dad). Unlikely many other bloggers, Schuman knows nothing of journalism – a fact which Navarro praises, arguing that it is The Sartorialist’s simple style and positive tone that have led to its immeasurable success. Furthermore, unlike the proliferation of blogs whose witty, catty tone takes a stab at some of fashion’s biggest names, Schuman provides little text, and generally lets the photos speak for themselves, choosing only to add text when he wants to point out a specific detail, like a hemline or collar. Schuman’s work makes evident his great knowledge and love of fashion, and has gained him jobs taking photographs for Esquire Magazine and Style.com.

Although The Sartorialist is an extremely popular fashion blog (Technorati ranks it number 361 in the worldwide blogosphere, as of March 7, 2007), Navarro downplays Schuman’s power as a foreseer of the cool. Instead, Schuman emphasize personal details of Schuman’s life (he grew up in Indiana and recently left the industry to become a stay-at-home dad) and notes that he has no journalism experience and rejects the catty critiques favored by many other fashion insiders, thus painting him instead as a regular guy whose photos speak to the greater public. The underlying message seems almost a reiteration of the Great American Dream, in which the Internet provides the new means for achieving bigshot status in whatever industry you choose, as long as you’re sincere and love your art.

Clearly, Navarro is a bit overly optimistic. First of all, anyone who has ever visited The Sartorialist will tell you right away that Schuman isn’t just an ordinary guy. He has a keen eye for high fashion and tends to photograph people wearing outfits that cost upwards of $1,000. Second, his discussion of colors and details is complete and impressive, as he points out features of a particular outfit that would go unnoticed to the untrained eye. Navarro also downplays the fact that Schuman worked for Valentino, one of the premier Italian designers in haute culture – and a fact which posits Schuman as more of a fashion insider than a regular guy. Furthermore, while Navarro’s celebrates Schuman’s success as a success of the every man, he fails to mention the almost 300,000 blog posts tagged as “fashion” on Technorati, which do not receive nearly the number of pageviews as The Sartorialist and have not led to such opportunities.

Yet overall, the thrust of Navarro’s article seems right on – the world of fashion blogging clearly does allow for people outside the fashion industry to comment on and influence what is popular – and in that respect, Schuman should act as role model for all aspiring fashion bloggers.

Here, Riekert adopts Gladwell’s term to refer to street-style fashion bloggers whose keen sense of fashion results in documentation of the some of globe’s newest and funkiest looks featured on the web for all to see. As a result, fashion industry executives, rather than hiring street teams to seek out “cool” looks, are turning to fashion bloggers in order to ascertain what is in style. This occurrence is widespread and Riekert identifies several companies whose soul purpose is to sift through fashion blogs in the hope of determining the next big thing.

Riekert argues that while these blogs provide a valuable service to the fashion industry, they also democratize the act of coolhunting. “In the end, the price the companies pay for this 'free' information is that they don't have exclusivity,” she explains. Yet coolhunting does not just apply to the fashion industry; indeed, corporations focused on almost any aspect of culture or technology frequently turn to blogs in order to ascertain what the next big trend will be. Like Gladwell’s version of coolhunting, online coolhunting is valuable because it provides up-to-date and cutting-edge information. Furthermore, the interactivity of blogs helps generate further dialogue, as readers comment on posts and debate trends. In the end, ideas debated and favored on the web can be translated into real products created by the industries for the marketplace.

In general, Riekert combines interviews with bloggers and media companies and web statistics to form a solid argument, yet her adoption of the term “coolhunter” to refer to fashion bloggers seems to deviate slightly from Gladwell’s original designation. Unlike the coolhunters of the 1990s, today’s coolhunters are not tied to industry insiders but work for themselves. Rather than reporting their finders directly to a fashion corporation, they post their findings online. Thus, fashion industry experts must go through an extra step in order to access the information that the coolhunters have amassed. This extra step is crucial because it grants both industry insiders and the general public the same information at the same time. Thus, readers are providing feedback in the form of comments and discussion at the same time the fashion industries are designing their new lines. The result is a line of fashion directly influenced by popular opinion.

Yet while many fashions captured by fashion bloggers end up being adapted by the masses, just as many of these fashions are ridiculed or rejected. Although Riekert never explicitly states that fashion blogs make the so-called “cool” subjects featured on blogs susceptible to the (sometimes cruel) opinions of the greater blog-reading public, she ends her article with the mention of a German blogger whose blog features tee-shirts with faux underarm hair – a trend which will likely (or at least hopefully) be rejected by the masses. Extrapolating, one can glean that this more accessible form of coolhunting also strips the cool of some of their power to dictate the fashions, as any new trends must be approved by the masses before they are translated into profitable market goods.

In this article, Zamiatin explores why fashion blogs have attracted so many readers in the past few months. She attributes their growing popularity to two major factors: a sense of immediacy (blogs respond to what is happening currently, and provide updates more frequently than magazines, which are generally issued once a month) and a candid, often humorous writing style not found in fashion magazines. She briefly discusses the recent efforts among fashion bloggers, such as the editors of Coutorture, an online fashion blogging community, to bring together all fashion blogs in one place where users can find them all quickly and easily. Such a community would help democratize fashion by allowing for a multiplicity of voices and allowing readers to leave feedback.

Zamiatin comments that some of the more popular fashion blogs concern themselves with celebrity fashion, thus treading on ground traditionally covered by the mainstream fashion press. However, Zamiatin does not think that fashion blogs will eclipse traditional media such as magazines – instead, will they supplement mainstream media by providing new, current information for fans to consume and discuss.

Zamiatin’s discussion of immediacy and style as two distinguishing features of fashion blogs can be widened to describe much user-generated content created in today’s participatory internet culture: YouTube videos are known for their quick stream-times and often satiric content while web comics such as Achewood or Toothpaste for Dinner are updated daily and offer ridiculous, humorous content. A fashion blog community, such as Coutorture or ShareYourLook.com (see entry) would act as a sort of YouTube for the fashion industry, allowing the best blogs to rise to the top and gain the most pageviews, thus placing fashion even further into the hands of the masses.

Zamiatin is probably correct in arguing that blogs will not displace traditional fashion reporting, but she misses one of the more obvious reasons why this is so: the advantage of an actual (as opposed to virtual) magazine is that you can roll it up, toss it into a backpack and read it in the park or on the beach. While Sidekicks and other devices that allow users to access their email remotely are growing more and more popular, there is something about curling up with a magazine that can not be replicated with a tiny Sidekick screen.

Furthermore, while Zamiatin argues that fashion blogs democratize fashion culture, one could also argue that by focusing on celebrities, many blogs actually reinforce the cultural distance between celebrities and the greater reading public. Instead, it seems more likely that street style blogs, who random stylish strangers, have the potential to democratize fashion by portraying it as something exemplified by ordinary people.

This article examines how online fashion bloggers are gaining more and more credibility with industry insiders who are attracted to their large numbers of readers and hope to win them over. As a result, these bloggers are granted advertising deals with major industries and are greeted with open access to fashion shows and events formerly accessible to major media companies only. Top-ranking blogs can also be sold for considerable amounts of money, especially among media companies looking to strike it rich in the world of the elite.

Bloggers also wield considerable power because their snarky, critical comments leave designers fearing an online trashing. Other designers seek out bloggers in the hope of gaining extra publicity. Finally, many designers and media corporations recruit bloggers to come and work for them, hoping that bloggers’ keen sense of style will give their company a coolness boost.  Fashion-blogging represents a quickly growing industry, with revenues only expected to rise as online advertising becomes increasingly popular. 

A well-researched article, Dodes incorporates comments from several top fashion executives and photo-bloggers with statistics from Technorati (a blog tracker) and BlogAds (an agency responsible for placing advertisements on top-raking blogs.) While the article uses the data to draw reasonable conclusions, it neglects to consider differences between blogs that cover street style versus those that cover couture or celebrity styles. Although Dodes’s failure to differentiate between different types of blogs makes the article appear as it if speaks for them all, when analyzed closely, Dodes seems to focus only on the latter two types. Thus, while she draws a connection between fashion bloggers whose posts about couture and celebrity style may gain them insider status, she does not mention street-style bloggers and never suggests that the writers of such blogs might have a different relationship with the fashion industry.

Nevertheless, the implications of this article are enormous. First of all, Dodes credits fashion bloggers with making the secrets of the fashion world available to anyone who cares to seek them out via the internet. It also posits fashion bloggers as independent and increasingly powerful experts, almost akin to a ruling aristocracy, who are not tied to any one company or designer, but who can praise or criticize different labels as they see fit, and who have commanded the attention of both media companies and fashion industry bigwigs. Finally, Dodes posits a capitalist superstructure (not surprising for WSJ) which maintains that control ultimately lies with whoever influences the masses, and that bloggers succeed because they are more in touch with reading audiences (and thus more likely to influence their liking of a particular item or design) than the industries themselves.

This project seeks to explore how fashion blogging has democratized the fashion industry by granting both fashion fans and the fashion industry access to the same information at the same time and by allowing fans to adopt and modify trends introducted online.

This blog covers "how the 2008 presidential candidates are using the web, and vice versa," as well as looking at the effects of voter-generated content, social networking sites etc. For example, the attention paid to the number of friends a particular candidate has on a site like myspace is particularly interesting when thinking about the Howard Dean campaign and its inability to translate as an e-candidate to a real-time political contender. The contributers seem to represent a fairly broad political spectrum, and are ostensibly against "partisan" arguments. The bloggers include the Internet director of Dean's 2004 campaign and the e-campaign director for Bush-Cheney 2004.

This is my primary source of information for researching the ongoing efforts of the hopeful presidential nominees for the 2008 election. In particular, I'm curious to compare John Edwards' efforts to those of Howard Dean and speculate a bit on whether or not popular e-candidates have a shot at competing against campaign giants (with massive campaign contributions) like Obama, Clinton, Guiliani and McCain.

 

This blog covers "how the 2008 presidential candidates are using the web, and vice versa," as well as looking at the effects of voter-generated content, social networking sites etc. For example, the attention paid to the number of friends a particular candidate has on a site like myspace is particularly interesting when thinking about the Howard Dean campaign and its inability to translate as an e-candidate to a real-time political contender. The contributers seem to represent a fairly broad political spectrum, and are ostensibly against "partisan" arguments. The bloggers include the Internet director of Dean's 2004 campaign and the e-campaign director for Bush-Cheney 2004.

This is my primary source of information for researching the ongoing efforts of the hopeful presidential nominees for the 2008 election.  In particular, I'm curious to compare John Edwards' efforts to those of Howard Dean and speculate a bit on whether or not popular e-candidates have a shot at competing against campaign giants (with massive campaign contributions) like Obama, Clinton, Guiliani and McCain. 

Ch. 1: “Electronic Political Discussion”

This chapter offers an overview of various online communications, including electronic email lists, Usenet and blogs. Davis addresses the question of whether or not online discussions make any difference in political processes, institutions or societal behavior and ultimately decides that the prophesized utopia of direct democracy has not yet been achieved. The obstacles facing such restructuring include: inequality in the levels of accessibility and the fragmented nature of electronic political discussion. Even the more tempered notion of deliberative democracy faces hurdles - most notably human reliance on technological solutions.

This chapter is a helpful summary of current online discussion forums and briefly pulls apart the kind of Trippi-esque claims of revolution. I'm going to utilize the rest of this book in order to examine the broad claims of internet revolution which, in the case of much writing about the internet, seem devoid of factors like accessibility.

The vast majority of teens in the United States, 87% of those aged 12 to 17, now use the internet. That amounts to about 21 million youth who use the internet, up from roughly 17 million when we surveyed this age cohort in late 2000. Not only has the wired share of the teenage population grown, but teens’ use of the internet has intensified. Teenagers now use the internet more often and in a greater variety of ways than they did in 2000. There are now approximately 11 million teens who go online daily, compared to about 7 million in 2000.

Fun video!

Interesting web 'art' based on expressions of feelings gathered from blogs

ALCTS has established a new blog.   The primary focus appears to be discussion of "controversial statementsts", which will also be the focus of the 2007 Midiwnter Forum "Definitely Digital: an Exploration of the Future of Knowledge on the Occasion of the 50th Anniversary of ALCTS."

The vast majority of teens in the United States, 87% of those aged 12 to 17, now use the internet. That amounts to about 21 million youth who use the internet, up from roughly 17 million when we surveyed this age cohort in late 2000. Not only has the wired share of the teenage population grown, but teens’ use of the internet has intensified. Teenagers now use the internet more often and in a greater variety of ways than they did in 2000. There are now approximately 11 million teens who go online daily, compared to about 7 million in 2000.

EAS028
 

What is Elbows?

Elbows is a collection of great mp3 blog posts and is meant to provide you a snapshot of what's going on in this new genre of blogging. Please take the time to visit each of the blogs listed on this page to learn more about new artists and buy their albums and, when you're through buying up all the CDs or iTunes tracks, click on some of the blog's sponsors so that they may keep providing us with such great information.

Blog post compares an incredible jack white coke commercial with a very similar japanese music video.

Someone has a blog about Carrie Fisher, and refers to the PennTags page on Carrie Fisher.

"This blog consists of items selected from more than 1,000 pages of reports filed by FBI agents watching my grandfather, Manny Cantor, a member of the Communist Party in New Jersey between the years 1932 and 1956. FBI surveillance of his activites began three weeks after Pearl Harbor and continued periodically until his death in 2003. All materials presented as they appear in the FBI files."

Just doing my weekly stalk of the internet for mentions of PennTags, and here's one that my technorati feed missed.

A long, annotated list of sites and products that allow some form of note taking.

A blog post looking at the ways people use delicious and highlighting that just as much of the stuff on delicious is junk as the reset of web.

Mashable is a blog covering Web 2.0 startups, peer production, user-generated content, revenue sharing, social software and the web as a platform.

"Provides commentary on open access, scholarly electronic publishing and digital culture issues."

"Running list of research papers, editorial appointments, and other content and actions results in freely available scholarship by researchers at CalTech. Created by CalTech librarians.

Peter Suber's OA news blog.

"Provides news and commentary about the intersection of law and technology, with a focus on copyright and licensing."

Review of the three top blog software.

Really, I'm just testing out the new posting function. Nice.

This is one of Nature's new blogs. The other blogs are specifically related to individual journal titles, this one is about science and web technology.

RSS feed.

This is the Tagteam Blog, where we keep track of the work of the Tagteam.

Peter Suber is the guru of Open Access, so much so that I believe he is no longer teaching but devoting his time to this lobbying for this issue.

RSS 

Written by a techincal services librarian from California.

Catch her feed here. 

Michael Stephens' blog, my favorite blog for all things innovative in the library world.

RSS

Michael Stephens' blog, my favorite blog for all things innovative in the library world.

RSS 

Gary Price's lengthy blog, he is the wizard for uncovering information resources.

RSS 

Steven Cohen from Information Today.

RSS 

Jenny Levine's view of the Library world.

Catch her feed here.  

Written by K.G. Schneider.

Here is the RSS feed.  

Written by Aaron Schmidt. 

Here is the RSS feed.

This blog is one of the few blogs devoted to both race and politics.  Though there are many blogs out there that talk about these issues, this site is overtly about African Americans and politics.  It is interesting becuase it shows how diverse, yet specific blogs can become.  Though it is not the only type of blog like this, it is interesting because it allows for an African American opinion over the blogisphere.

This NY times article focuses on the ethics behind blogging.  It examines the if there should be a code for bloggers and if they should be held up to the same standard as other print medias.  Since bloggers are considered amatuers by nature, they fall under the radar.  Shear attempts to consider whether bloggers should be held accountable for their actions because of the surge in the number of bloggers over the past couple of years.

This page talks about the future of blogs and the new way in which media is going to be transmitted over the internet. It talks about the rise of RSS feeds and how they are overtaking the blogisphere on the internet. The article shows how RSS feeds outnumber almost all other forms of media on the net.

This 2002 book is a very good resource to use becuase it is a look at the potential influence of online forums in politics. Primarily dealing with online voting and voter registration, it is a look at the best potential ways to find out information as both a voter or activist. It takes a very detailed look at the use of the internet in the 1996 elections and how this election was somewhat of an experiment to figure out how to best use the internet in politics.

This is a journal entry about rhetoric and persausive ways in which internet blogs can influence people's opinions. It is a critique of the good and bad sides of blogs. Primarily focusing on the bad it talks about the issues that blogers face when trying to manuver their way through the blogisphere. Though it is not overtly about politics, Krause article raises key issues about the problems faced when lookin at a blog.