Creative Commons. "Monkeyc.net." CC Wiki.

         Monkeyc.net belongs to the former photojournalist John Harvey who now uses Flickr to display his work under a CC license. The case study offers a brief overview of Harvey's activity on Flickr- he started in September, 2004 and currently has almost a thousand photos uploaded. Some of his photos have been featured on the Explore page of Flickr due to his popularity. He uses the CC Attribution-Noncommercial-Share Alike 2.0 generic license. According to Bjorn Bednarek, seeing a former professional photographer willing to use CC licenses is encouraging because it helps to "legitimize and popularize Creative Commons". To Harvey, photography is merely something he enjoys and he is glad to share it with others who would like to include it in their own visions. He writes that "the scope is infinite and it sets the images free in so many ways".

        Monkeyc.net is one of the case studies featured on the Creative Commons website. It is one example of a more specific case in which CC has become popular and the way it is used is online communites. Flickr has become a huge photography site recently and it provides a great outlet for artists who would like to share their work with others. John Harvey is one of those people who shares the sentiment with UbuWeb that "information should be free to all." However, instead of simply circumventing copyright, he has embraced CC licenses and demonstrated how they can offer an effective solution, especially in a community that has quickly become CC based. Again, this source shows yet another model for online communities and how they handle the copyright problem. The commons doesn't seem so much like the vast wasteland many think it will become, but a rich environment of creative works.

Creative Commons. "DeviantArt." CC Wiki.

          This case study is about the "world's largest, most vibrant, and relevant online community focused specifically on ART" (DeviantArt, or simply DA), which was founded in 2000 by Scott Jarkoff, Angelo Sotira, and Matthew Stephens. The site hosts around 55 million works by 4.5 million users, spanning all categories of art from skins to photomanipulations, animations, stocks, paintings, literature, and more. There are free memberships as well as subscription based memberships. Those with subscriptions enjoy more benefits, such as earning fifty percent of any revenue from prints versus the ten percent non-subscriptions members would earn. DA offers an advertising service (adCast), which gives discounted rates to "non-profit and community-related products".

          DA began using CC licenses in November, 2006. The default on the site is still regular copyright, but users have the option of placing their work under a CC license. DA administrators operate under the same system of take-down notices that many places do when works infringe on copyright. If someone complains that their work has been used against their wishes, the administration deletes it. The owner of the deleted work still has the opportunity to argue that it was not copyright infringement though. CC is seen as preferable to watermarking images and though DA doesn't believe it will solve all the problems, it is excited about its ability to help alleviate them.

       DeviantArt is a truly wonderful example of how CC, copyright, and online community norms come together. Many users license works under CC, mainly for the purpose of becoming part of a photomanipulation later on. The beauty of this is photomanipulation for many people would be impossible without the stock provided by other artists. This is just one of the things that DA and CC facilitates. However, as an online community, DA also has a standard of norms. The case study briefly mentions the messaging network that helps connect DA users to one another, just one of the services on the site that allows for this community to grow. More importantly, the community knows that many artists do not use CC licenses, preferring to list their own rules in journals or comments on their images when CC does not offer enough. Most artists request a link to the finished work. In this way, the artist can see how their work is being used and the creator of the new work is also able to share their work with others. DA is really a flourishing example of how online communities add to the commons, be it through CC or their own standard practices.