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Kunz,P . "Whose Tube? - A Contributory Copyright Infringement Analysis of the Pending Lawsuit, Robert Tur v. Youtube Inc." DePaul University Journal of Art and Entertainment Law

Robert Tur is a Los Angeles photographer famous for his coverage of the infamous car chase of O.J. Simpson in 1994. His lawsuit against Youtube marks the first high-profile case in which Youtube is accused of inducing infringement. His main argument stems from the case of MGM Studios v. Grokster, in which the court held that one who “distributes a device with the object of promoting its use to infringe copyright is liable.” Youtube’s immediate response to this complaint included a defense that it was protected by the DMCA, which protects ISPs. Tur claims that Youtube is liable for Contributory Infringement due to its inducing of infringement by users. Mr. Kunz discusses that Youtube qualifies as an ISP based on the court’s decision in Hendricson v. eBay, in which it ruled that operators of an Internet website can qualify as an ISP. While Kunz provides analysis of Youtube’s lack of liability under the Safe Harbor law, I plan to use his comparison of Youtube to other previous cases more extensively in my paper.
 
In terms of the Sony video tape recorder, Youtube is similar in that it has substantial non-infringing uses: it actively encourages home movies; it has fostered the creation of original web series such as Loneygirl15; and it has recently signed deals with major content providers like Sony BMG. In the Napster case, the court held that services could be liable if they have direct knowledge of specific examples of infringement. When copyright holders informed Napster of infringing works, Napster simply penalized the offending users, without removing the offending files. They were thus knowledgeable of directly infringing files available. Youtube, on the other hand, immediately removes offending files once they are reported and also uses Fingerprinting technology to prevent similar files from being uploaded. Napster officials also purposefully remained ignorant about user accounts because they knew users were pirating music, whereas Youtube officials encourage content creation over pirating. According to the Grokster ruling, services can be liable if they have the intention of promoting, or inducing, infringement. While Grokster distributed software with the intention of allowing users to illegally download and retain the pirated material, Youtube requires users to watch material on its services. Thus, it does not foster piracy because it does not permit users to download videos. The court also found Grokster liable because it did not create filtering material to remove copyrighted works, while Youtube has actively worked on such software.

The information in this article will be extremely useful as I argue that ISPs like Youtube are not liable for copyright infringement that occurs via their services. The author of this article does a successful job of linking Youtube’s case to other precedents that have been ruled by courts. While this case is specifically relating to the Tur v. Youtube lawsuit, the Viacom v. Youtube lawsuit is very similar. Youtube brilliantly distinguishes itself from previous infringing services and thus strengthens its position against Tur and Viacom.

The article by Mr. Cloak discusses the evolution of online copyright cases in the pre-DMCA era. Before the DMCA, there was very little protection from liability for online user-generated services. The first case to test website liability in copyright infringement was Playboy Enterprises, Inc. v. Frena. Frena owned an online message board service that allowed its users to post messages and pictures to share with others. One user uploaded over 100 images copyrighted by Playboy. Playboy consequently sued Frena for copyright infringement, despite that fact that Frena had not actually uploaded the pictures himself. The court ruled that Frena was liable for the infringement, failing to note that Frena simply ran a service allowing others to upload images. The case of Religious Technology Center v. Netcom On-line Communications Services advanced the Frena ruling when the Church of Scientology sued Netcom for allowing unpublished Scientology writings to be posted on its services. The court judged that Netcom was not directly liable for this infringement because it had not directly facilitated the infringement. Rather, its software had automatically uploaded the infringing material without the knowledge of the operators. While Netcom was not liable for direct infringement, the court noted that it might be liable for another type of infringement. A website could be liable for Vicarious Liability if it receives direct financial benefit from the infringing material and has the ability to control infringement. Similarly, it could be guilty of Contributory Infringement if it has subjective knowledge of the infringement and substantially participates in the infringement.

The aforementioned types of liability have been mentioned in multiple copyright cases, such as the Napster case. With the advent of the DMCA and the Safe Harbor law, a service like Youtube is increasingly safe from direct liability. Youtube, however, could be held Vicariously Liable: it receives ad revenue in proportion to the number of users; if the number of copyrighted videos increases, its ad revenue will increase. Youtube has also developed filtering software, giving it the ability to control copyrighted material. For this reason, it could still theoretically be vicariously liable. Youtube could also be liable for Contributory Infringement because it has knowledge of infringement on its site (evident from the numerous takedown notices it receives). However, by demonstrating sufficient non-infringing uses of its services, like Betamax, it can escape Contributory Liability by being labeled a “staple article of commerce.” As Mr. Cloak states, “subjecting YouTube to liability from copyright owners could destroy a major facilitator of American creativity.” At the same time, authors have the right to control their works. Thus, the DMCA establishes a perfect medium by protecting online services from direct liability for allowing their users to upload anything, while also allowing copyright owners to request their work be removed if they wish. Subjecting Youtube to liability for simply allowing creativity to thrive on its servers should not be allowed, unless Youtube is proven to be guilt via vicarious or contributory means.