This source happens to be a blog entry written by a visiting professor at Washington College of Law who is also on the board of Creative Commons at the college.  The blog is a response to a Sixth Circuit court interpretation of the Copyright Act in the case of Bridgeport Music vs. Dimension Films which stated that artists must either have a license or abandon their sampling.  Carroll then continues to explain a few stipulations in the Copyright Act and their involvement in this court decision, namely Section 114 and Section 106. 

            Carroll analyzes the courts assessment of de minimus in the Copyright Act and how it was originally interpreted in the local Bridgeport court.  In the appellate court, however, Carroll finds fault with the way the court approached its decision, moving straight to Section 114 instead of focusing on Section 106.  He disagrees with their reading of the Act and consequently, their decision to remove de minimus from the realm of sound recordings, stating that he does not believe there is a “statutory basis for the rule announced by the court in this case.”

            Carroll’s stance in the Creative Commons forum at a prominent law school in the United States, as well as his origins in, and knowledge of, international copyright law once again present the material in a newly-cast light.  The case he references is one of much importance to the focus of this final paper and his commentary on the subject is clear and well-formed.  This source provides a very narrow view into one single court decision that acts as a useful spotlight among other more general sources.