This Congressional testimony came from Narciso Rodriguez, who speaks on behalf of the Council of Fashion Designers of America, a not-for-profit trade association of America's fashion and accessory designers. First, he speaks about how frequently fashion designs are being copied. Then, he relates his journey from being the only son of Cuban immigrants, growing up in Newark, NJ, and finally becoming a fashion designer. This journey, he tells, took training, hard work, and financial capital. Then, he attempts to argue that fashion designs are not utilitarian in nature, but that they are works of art, citing specific designers and giving examples of their work. He then covers certain specifics of the HR 2033. For example, no previous designs would be protected by the bill; thus, past designs can be used for inspiration. Also, he states that the market will not be drained of reasonably priced items. Furthermore, the consumers of pirated products are not to be punished. As a whole, the speaker urges that the protection bill for fashion designs be passed.

            This is important for my topic because it complicates my thesis. If, as many of my sources argue, pirates really do benefit the producer of the original, I wonder why so many producers are asking for protection of their products. This testimony gives voice to one of these producers, a man who is responsible for original fashion designs and feels as though pirates and copiers are hurting him financially.