McElvaine, Robert S., 1947- . Great Depression : America, 1929-1941 / Robert S. McElvaine. 0812910613 : series New York, N.Y. : Times Book, c1984.
Call#: Van Pelt Library E806 .M43 1984
Call#: Van Pelt Library E806 .M43 1984
Chapter 9 of the book Great Depression discusses the intersection between economic and moral strength. Written by Robert S. McElvaine, and entitled “Moral Economics: American Values and Culture in the Great Depression,” McElvaine argues that standards for morality typically weaken in tough economic times.
The chapter explains that Americans are generally fairly practical. That is, they will follow the rules of the marketplace so long as the marketplace is intact. However, once the framework of the economic system begins to disintegrate, Americans will operate outside of that system. This is particularly true for those who perceive that they will not be successful if stay within legal parameters.
McElvaine points out that there is a correlation between the Depression and the emergence of the gangster film. In many regards, the gangster was perceived to be a tragic hero, who recognized that success by legal means was no longer an option. He embraced a life of crime, because it afforded him the opportunity of success and to secure his own American dream. Americans who did stray into a life of crime envied the gangster; they were left to languish in poverty, while criminals were bold enough to challenge the economic collapse.
This chapter offers my thesis a necessary sociological and philosophical perspective on American morals. In many regards, films about gang life in America were often shrouded in controversy, as many Americans felt that they were eroding the country’s moral fiber. However, many Americans also felt a connection with the gangsters that they saw on the silver screen, as they too, in the midst of the Great Depression, placed a greater importance on wealth rather than values.
Additionally, as the article notes, Americans who did not feel as though they would succeed in the American marketplace were quick to abandon it. This very accurately explains the behavior of Tom Powers; Powers felt, contrary to his older, educated brother, that he could not make a decent living by operating within standard moral guidelines. As a result, his actions reflected a more unconventional path. Powers’ life of crime was a product of a failed economy, not of a failed person.
My thesis claims that deteriorating social and economic conditions led to Powers and Doyle’s decision to enter a life of crime. In applying this chapter to my paper, I will argue that the failure of the economic system – and accompanying change in morals – lessens the burden of responsibility for the boys. Their fate was in the hands of their environment. Consequently, audiences are able to identify with these characters, viewing them as victims to a certain extent. Viewers empathize with their troubles, and imagine that if circumstances had differed, the boys would have traveled a different path as well.
The chapter explains that Americans are generally fairly practical. That is, they will follow the rules of the marketplace so long as the marketplace is intact. However, once the framework of the economic system begins to disintegrate, Americans will operate outside of that system. This is particularly true for those who perceive that they will not be successful if stay within legal parameters.
McElvaine points out that there is a correlation between the Depression and the emergence of the gangster film. In many regards, the gangster was perceived to be a tragic hero, who recognized that success by legal means was no longer an option. He embraced a life of crime, because it afforded him the opportunity of success and to secure his own American dream. Americans who did stray into a life of crime envied the gangster; they were left to languish in poverty, while criminals were bold enough to challenge the economic collapse.
This chapter offers my thesis a necessary sociological and philosophical perspective on American morals. In many regards, films about gang life in America were often shrouded in controversy, as many Americans felt that they were eroding the country’s moral fiber. However, many Americans also felt a connection with the gangsters that they saw on the silver screen, as they too, in the midst of the Great Depression, placed a greater importance on wealth rather than values.
Additionally, as the article notes, Americans who did not feel as though they would succeed in the American marketplace were quick to abandon it. This very accurately explains the behavior of Tom Powers; Powers felt, contrary to his older, educated brother, that he could not make a decent living by operating within standard moral guidelines. As a result, his actions reflected a more unconventional path. Powers’ life of crime was a product of a failed economy, not of a failed person.
My thesis claims that deteriorating social and economic conditions led to Powers and Doyle’s decision to enter a life of crime. In applying this chapter to my paper, I will argue that the failure of the economic system – and accompanying change in morals – lessens the burden of responsibility for the boys. Their fate was in the hands of their environment. Consequently, audiences are able to identify with these characters, viewing them as victims to a certain extent. Viewers empathize with their troubles, and imagine that if circumstances had differed, the boys would have traveled a different path as well.
belongs to The_Public_Enemy (1931); Cine_101; Alison_Nadle project
tagged crime economy gangster matt_doyle morality the_great_depression tom_powers by nadle ...on 02-DEC-08
tagged crime economy gangster matt_doyle morality the_great_depression tom_powers by nadle ...on 02-DEC-08


