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Smith, Dinitia. “Following up on ‘Kramer vs. Kramer.’” The New York Times:
nytimes.com. (18 Oct 2004). 3 April 2008 <http://www.nytimes.com/2004/
10/18/books/18corm.html?_r=1&pagewanted=print&position=&oref=slogin>

This article discusses the cultural context in which Kramer vs. Kramer was published and adapted to film. In the late 1970’s, American culture was in an interesting transition period as the lines that separated the public sphere, which had traditionally had been dominated by males, and the private, domestic sphere, which had once been dominated by women, began to blur. Important questions were being asked my society as men and women were defying traditional gender roles, including whether men could adequately raise a child, or whether women’s presence in the professional world would interrupt socioeconomic progress. Avery Corman evaluates the changes that have occurred in gender roles inside and outside marriage since his book was adapted into a blockbuster movie. He also discusses how he obtained the idea for the book, and describes his intention to write an “idealized father,” citing a man who is successful in both the public sphere and private sphere of life when confronted with the responsibility of both. Corman also discusses his goals in writing the book and his views on divorce and family as derived from his personal experience. He comments on the influence of Kramer vs. Kramer on American society’s views on the abilities and roles of the genders, and the objections of many feminists to his depiction of divorce and the role of Dustin Hoffman as a father. He states that he believes that his book and the subsequent movie influenced males to fight for child custody and play a more active role in the lives of the children after divorce.
This article is relevant to the topic because of its discussion of divorce in Kramer vs. Kramer. This article is particularly useful due to its inclusion of comments from Avery Corman, the author of the original Kramer vs. Kramer novel, in regards to feminism, divorce, and his intention in crafting the story.