Cited by Gitelman Always Already New.
Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture.

Cited by Paulin - discussion of Wagner's 'concrete remaking of the spectator's experience' at Bayreuth, in a way that anticipated the coercively 'attentive' conditions of cinema spectatorship.