McEvoy, JP. "Walt Disney Goes to War". The LA Times. 5 Jul 1942.
This piece from the LA Times is from 1942, the year that The New Spirit was made. The author summarizes the different types of war films Walt Disney had made at that time, and who views them. Disney made films to be distributed internationally in support of the American cause, shorts advocating the Agricultural Department’s food drive, and training movies for the military. He used the same characters that appeared in his cartoons for children to promote American ideals, and he was able to have a considerable influence on the American public.
The most defining line in this article is that art is a “dynamic force”. For Disney, his art became a cultural and political force both at home and abroad. He was able to apply his comedy to films that addressed the very grim reality of war. Because his films featured familiar characters and lighthearted storylines, they appealed to a wide audience and were extremely effective. As the article points out, with The New Spirit, he was able to make audiences laugh while paying their biggest income tax installment. His unique ability to make war films funny is why he is considered a “propaganda genius” and was able to be so influential.
tagged film101 propaganda walt_disney wartime_effort world_war_ii by trosko ...on 02-DEC-08
Arnold, Thomas K. "DVD-Day for Disney's WWII Films". USA Today. 18 May 2004.
This article from USA Today is about the release of Disney's WWII films on DVD in 2004. It explains that some of the material may be seen as offensive today since the films frequently portray Germans and Japanese in a negative manner. The film critic Leonard Maltin comments on the DVD set, saying that Disney’s short films like The New Spirit are so significant because they are unlike any others put out by Disney or other studios. The article also offers statements from an animator who worked on many of Disney’s war shorts.
The release of these films on DVD 60 years after they were first shown to audiences is a testament to their lasting impact on American culture. The article states that Disney produced “hundreds of hours” of material, which is why his films were so prevalent during this time. Maltin said that this set of DVDs was one of the most important ones he has been involved with, and this is because of the unique circumstance of their production. A studio that usually made films for children was now a powerhouse of wartime propaganda and military morale building films. Films like The New Spirit are considered to be a part of American history, even though their influence is even more far-reaching than the national level. The article states that Hitler was inspired by Disney’s shorts to commission his own animators to produce German propaganda films. Through his animated shorts, Disney became a political player in WWII.
tagged film101 propaganda walt_disney wartime_effort world_war_ii by trosko ...on 02-DEC-08
This is a transcript from testimony Walt Disney gave in 1947 in front of the House Un-American Activities Committee. Disney explains the films he made during WWII, referring to them as propaganda and anti-Nazi. He also talks about the impact he believes his films had on the public during the war, particularly with regards to The New Spirit and Spirit of ‘43. According to Disney, 29% of Americans said that the films caused them to pay their taxes earlier and gave them a better understanding of what taxes do. He goes on to implicate former studio employees as members of the Communist party, and states that they are to blame for the strike the Disney studio experienced a few years prior. In his testimony, Disney makes clear his anti-Communist and anti-labor union sentiments.
In this source, Disney himself discusses his war films and the effect they had on the world during World War II. He establishes that film is an effective way to disseminate propaganda, and cites a study that claims that his films caused 29% of people to file their income taxes earlier. This is a very significant effect, and it indicates that not only were people watching the Disney films, but they were changing their behavior based on them. In part due to Disney’s films, the war effort was able to garner the support of the American people.
tagged film101 politics propaganda walt_disney world_war_ii by trosko ...on 02-DEC-08
"Walt Disney Goes to War". Life Magazine. 31 Aug 1942, 61-69.
Life Magazine ran an article about Walt Disney and the war effort in August 1942. It describes how hard Disney was working to make films for the government and military, with 90% of his 550 employees making films that related directly to the war. The article also shows pictures and sketches from specific films that Disney studios made for the Army and the Navy, along with other propaganda films. His “Aerology” films for the Navy were used to allow pilots to experience animated weather conditions that they may not typically encounter in their training. In the propaganda film “Reason and Emotion”, Disney uses humorous images to encourage Americans to use reason throughout the war and not to be swayed by emotions.
This article provides examples of how animation was used to create effective propaganda and training films. Animation can create scenarios that may not normally exist, which can be helpful in military training. It allows the viewer to see things that a camera could not reach. The reason that Disney had such enormous success in animation was his integration of humor to his films. The article states that Disney’s artists were such good teachers because they kept the audience’s imagination. Because he was able to present factual material in an entertaining manner, the viewers paid attention and took his films to heart.
tagged film101 walt_disney wartime_effort world_war_ii by trosko ...on 02-DEC-08
During World War II, the American government, especially the military, turned to Hollywood to aide in the creation of animated instructional films. The entire industry had little precedents and guidelines. Walt Disney, as one of the industry giants in animation, had an immense task and was instrumental in the indoctrination of GIs. This book chronicles the works from Walt Disney's studio and the profound effects it had on viewers. The particular section is the author's brief discussion of propaganda and Disney's works, The New Spirit (1943) and its sequel The Spirit of '43 (1943).
Shale states that while it is difficult to define the term propaganda, activity is key to any definition. If propaganda leads to only heightened emotions, but no action to follow, it is considered a failure. According to Shale, propaganda arouses emotions that in turn elicits vital action. But outright blatant propaganda leads to rejection. As Disney put it, "outright propaganda is resented...molding [public] opinion is something else again." Animation is key to this molding process because it is not as "real" of a medium as newsreels or drama.
A real example of this molding process was Disney's first big wartime propaganda hit, The New Spirit. The Treasury Department reported it had been seen by 32,647,000 people and according to the Gallup Poll, an astonishing 37% of viewers felt it had affected their willingness to pay their taxes. Even the great Frank Capra whose Why We Fight series indoctrinated the GIs congratulated Walt Disney and conceded that animation is the only method that could achieve certain effects that conventional film could not. Animation was the ideal medium for imparting uniform concise instruction, but in the powerful bridging manner as not to appear as outright propaganda. As opinions are molded, soldiers become less sensitive to what they perceive as wrong or not ideal and internalize those opinions as their own.
tagged propaganda the_new_spirit walt_disney world_war_ii by yuany ...and 1 other person ...on 02-DEC-08



